K\u0131z\u0131l Topraklar \/ La tierra roja \/ The Red Land \/ Diego Mart\u00ednez Vignatti<\/em><\/strong><\/p>\r\n

The Red Land \/ K\u0131z\u0131l Topraklar<\/em><\/strong>\u2019\u0131n y\u00f6netmeni Diego Martinez Vignatti<\/strong>, Carlos Reygadas\u2019\u0131n Japonya<\/em> ve Cenette Sava\u015f<\/em> filmlerinin g\u00f6r\u00fcnt\u00fc y\u00f6netmeni olarak da tan\u0131nan bir isim. Do\u011fay\u0131 mahveden ve b\u00f6lge halk\u0131n\u0131 sa\u011fl\u0131\u011f\u0131ndan eden \u00e7arklardan birini merkeze alarak anlatan K\u0131z\u0131l Topraklar, <\/em><\/strong>Arjantin\u2019in kuzeydo\u011fusundaki Misiones b\u00f6lgesinde ge\u00e7iyor. Ya\u011fmur ormanlar\u0131n\u0131 yok eden ve kimyasal kirlenmeye yol a\u00e7an \u00e7okuluslu k\u00e2\u011f\u0131t sanayisini ele alan K\u0131z\u0131l Topraklar<\/em><\/strong> y\u00f6netmen Vignatti<\/strong>\u2019nin d\u00f6rd\u00fcnc\u00fc filmi.<\/p>\r\n

3000 Gece \/ 3000 Layla \/ 3000 Nights \/ Mai Masri <\/em><\/strong><\/p>\r\n

\u00d6d\u00fcll\u00fc belgeselleriyle tan\u0131nan Mai Masri<\/strong>, 80\u2019li y\u0131llarda ge\u00e7en ilk kurmaca filmi 3000 Nights \/ 3000 Gece<\/em><\/strong>\u2019<\/em>yle festivalde.<\/em> \u0130srail\u2019de hapse at\u0131lan Filistinli kad\u0131nlar\u0131n ger\u00e7ek \u00f6yk\u00fclerinden esinlenen filmin ba\u015fkahraman\u0131, haks\u0131z yere su\u00e7lanan ve 8 y\u0131l\u0131n\u0131 bir \u0130srail hapishanesinde ge\u00e7iren yeni evli, Filistinli bir \u00f6\u011fretmen. \u0130srailli su\u00e7lularla ayn\u0131 yerde kalmaya zorlanan gen\u00e7 kad\u0131n, hapishanede do\u011furur ancak ko\u015fullar gitgide k\u00f6t\u00fcle\u015fir. Toronto, Busan, Londra, Dubai, Tallinn, Palm Springs film festivallerinde g\u00f6sterilen 3000 Gece, <\/em><\/strong>Valladolid Film Festivali\u2019nde \u0130zleyici \u00d6d\u00fcl\u00fc kazand\u0131. Y\u00f6netmen Mai Masri<\/strong>, hapishaneyi Filistinlilerin ve \u00f6zellikle de Filistinli kad\u0131nlar\u0131n ya\u015fad\u0131klar\u0131 ko\u015fullar\u0131n bir metaforu olarak kullan\u0131yor. Ba\u015froldeki Maisa Abd El Hadi<\/strong>\u2019yi 2015 festivalinde g\u00f6sterilen H\u0131rs\u0131z\u0131n G\u00f6zleri<\/em> filminden hat\u0131rl\u0131yoruz.<\/p>\r\n

K\u0131y\u0131dakiler \/ Coastliners \/ Erdem Tepeg\u00f6z, Bar\u0131\u015f Pirhasan, Alphan E\u015feli, Melisa \u00d6nel, Ramin Matin <\/em><\/strong><\/p>\r\n

Coastliners \/ K\u0131y\u0131dakiler<\/em><\/strong>, uluslararas\u0131 platformlarda ba\u015far\u0131 kazanm\u0131\u015f y\u00f6netmenler Erdem Tepeg\u00f6z, Bar\u0131\u015f Pirhasan, Alphan E\u015feli, Melisa \u00d6nel <\/strong>ve Ramin Matin<\/strong> taraf\u0131ndan \u00e7ekilen kurmaca be\u015f k\u0131sa filmden olu\u015fuyor. Birbirinden farkl\u0131 bu be\u015f k\u0131sa filmde, sahile vuran m\u00fclteci e\u015fyalar\u0131n\u0131n yaratt\u0131\u011f\u0131 oyuna; \u015fiddete maruz kalm\u0131\u015f bir gencin tuhaf hik\u00e2yesine; Suriye s\u0131n\u0131r\u0131ndaki, bomba sesleriyle yank\u0131lanan bir eve s\u0131\u011f\u0131nan anne-k\u0131z\u0131n \u00f6yk\u00fcs\u00fcne, \u0130stanbul ke\u015fmeke\u015finde engelleri a\u015farak yol almaya \u00e7al\u0131\u015fan bir kahramana ve s\u00fcr\u00fcld\u00fckleri k\u00f6ylerine d\u00f6nmeye \u00e7al\u0131\u015fan hamile bir kad\u0131n\u0131n ruhsal yolculu\u011funa e\u015flik ediyoruz.<\/p>\r\n

\u00a0<\/strong>\u00a0<\/strong><\/p>\r\n

AKBANK GALALARI<\/strong><\/p>\r\n

\u0130stanbul Film Festivali\u2019nin en sevilen b\u00f6l\u00fcmlerinden Akbank Galalar\u0131\u2019nda, y\u0131ld\u0131zlar\u0131 usta y\u00f6netmenlerle bulu\u015fturan ve sezonun merakla beklenen 10 filminin T\u00fcrkiye\u2019deki ilk g\u00f6sterimleri ger\u00e7ekle\u015ftirilecek. Akbank Galalar\u0131\u2019nda bu y\u0131l Berlin Film Festivali\u2019ni de a\u00e7an Coen Karde\u015fler\u2019in Y\u00fcce Sezar! filminden ve Jeff Nichols\u2019\u0131n y\u0131ld\u0131zlar ge\u00e7idine \u015fahit oldu\u011fumuz \u2018Midnight Special\u2019\u0131na kadar birbirinden ilgin\u00e7, \u00f6d\u00fcll\u00fc, dikkat \u00e7ekici yap\u0131m yer al\u0131yor. <\/strong>\u00a0<\/strong><\/p>\r\n

Akbank Galalar\u0131 b\u00f6l\u00fcm\u00fcnde yer alan filmler;<\/u><\/em><\/strong><\/p>\r\n

Y\u00fcce Sezar! \/ Hail, Caesar! \/ Ethan & Joel Coen <\/em><\/strong><\/p>\r\n

Hollywood\u2019un 1950\u2019lerdeki \u201calt\u0131n \u00e7a\u011f\u0131\u201dn\u0131 konu eden Hail, Caesar! \/<\/em><\/strong> Y\u00fcce Sezar<\/em><\/strong>!<\/strong><\/em>,<\/em> \u00f6zellikle y\u0131ld\u0131z oyunculardan olu\u015fan kadrosuyla dikkat \u00e7ekiyor.<\/em> Filmde<\/em> ba\u015froldeki Josh Brolin<\/strong>\u2019e Ralph Fiennes<\/strong>, Tilda Swinton<\/strong>, Frances McDormand<\/strong>, George Clooney<\/strong>, Scarlett Johansson<\/strong>, Jonah Hill<\/strong> ve Channing Tatum<\/strong> e\u015flik ediyor. Hollywood\u2019un y\u0131ld\u0131z sistemini ayars\u0131zca alaya alan film \u015eubat ay\u0131nda ger\u00e7ekle\u015ftirilen Berlin Film Festivali\u2019nin a\u00e7\u0131l\u0131\u015f\u0131n\u0131 yapm\u0131\u015ft\u0131.<\/em><\/p>\r\n

Brooklyn \/ John Crowley <\/em><\/strong><\/p>\r\n

Ba\u015frol\u00fcnde En \u0130yi Kad\u0131n Oyuncu Oscar\u2019\u0131na aday olan, Hanna, Byzantium, The Grand Budapest Hotel<\/em> ve Lost River <\/em>filmlerinden de tan\u0131d\u0131\u011f\u0131m\u0131z Saoirse Ronan<\/strong>\u2019\u0131n oldu\u011fu filmin y\u00f6netmen koltu\u011funda John Crowley<\/strong> yer al\u0131yor. Filmin senaryosu ise kitaplar\u0131 yok satan, About a Boy<\/em> ve High Fidelity<\/em> gibi daha bir\u00e7ok ba\u015far\u0131l\u0131 filme kitaplar\u0131 uyarlanm\u0131\u015f Nick Hornby<\/strong>\u2019ye ait. Filmin uyarland\u0131\u011f\u0131, Colm T\u00f3ibin\u2019in ayn\u0131 adl\u0131 roman\u0131, The Observer<\/em> taraf\u0131ndan, bug\u00fcne kadar yaz\u0131lm\u0131\u015f en iyi on tarihsel roman aras\u0131nda g\u00f6steriliyor. Sundance\u2019te yapt\u0131\u011f\u0131 pr\u00f6miyerin, Toronto ve New York\u2019taki g\u00f6sterimlerinin ard\u0131ndan y\u0131l\u0131n en \u00e7ok ses getiren filmlerinden biri olan ve \u00fc\u00e7 dalda Oscar adayl\u0131\u011f\u0131na sahip Brooklyn, <\/em><\/strong>1950\u2019lerde d\u00fcnyan\u0131n cazibe merkezi New York\u2019a gelen, iki \u00fclke ve iki a\u015fk aras\u0131nda kalan, \u0130rlanda g\u00f6\u00e7meni gen\u00e7 bir kad\u0131n\u0131n hik\u00e2yesini anlat\u0131yor.<\/p>\r\n

Truman \/ Cesc Gay <\/em><\/strong><\/p>\r\n

Cesc Gay<\/em><\/strong>\u2019in ilk g\u00f6sterimini Toronto Film Festivali\u2019nde yapan ve San Sebastian\u2019da En \u0130yi Oyuncu, \u0130spanyol Goya \u00d6d\u00fclleri\u2019nde En \u0130yi Film dahil be\u015f \u00f6d\u00fcl birden kazanan son filmi, izleyenleri hem e\u011flendirecek hem de duyguland\u0131racak. Y\u0131l\u0131n en dokunakl\u0131 filmlerinden Truman<\/em><\/strong>\u2019da, <\/em>\u00f6\u011fretmenlik yapan Tomas, akt\u00f6r arkada\u015f\u0131 Julian\u2019\u0131n yan\u0131na seyahat eder. \u0130ki eski dosta Julian\u2019\u0131n sad\u0131k k\u00f6pe\u011fi Truman da kat\u0131l\u0131r. Filmin ba\u015frollerini Arjantin\u2019in en \u00fcnl\u00fc erkek oyuncusu Ricardo Darin ile Almodovar\u2019\u0131n yeni g\u00f6zdesi Javier C\u00e1mara payla\u015f\u0131yor. Y\u00f6netmen Cesc Gay<\/strong>, Truman<\/em><\/strong>\u2019\u0131 \u015f\u00f6yle tan\u0131ml\u0131yor: \u201cTruman<\/em><\/strong> belirsizli\u011fe, bilinmeyene, beklenmeyene, keder kar\u015f\u0131 nas\u0131l bir tav\u0131r tak\u0131nd\u0131\u011f\u0131m\u0131z\u0131 inceleyen bir deneme. Ayn\u0131 zamanda zorluklarla kar\u015f\u0131 kar\u015f\u0131ya kalan iki dostun da hik\u00e2yesi.\u201d<\/p>\r\n

Zoraki Kom\u015fu \/ The Lady in the Van \/ Nicholas Hytner<\/em><\/strong><\/p>\r\n

Daha \u00f6nce Alan Bennett<\/strong>\u2019in iki tiyatro oyununu sinemaya uyarlayan Nicholas Hytner<\/strong>, \u0130ngiliz oyun yazar\u0131yla \u00fc\u00e7\u00fcnc\u00fc kez bir araya geliyor. The Lady in the Van \/ Zoraki Kom\u015fu<\/em><\/strong>, Bennett<\/strong>\u2019in hayat\u0131nda \u00e7ok \u00f6nemli yer tutan ger\u00e7ek bir dostlu\u011fu sinemaya ta\u015f\u0131yan, otobiyografik bir metin. Yazar, kendini bir karakter olarak ba\u015ftan yarat\u0131yor ve 70\u2019lerde tan\u0131\u015ft\u0131\u011f\u0131, k\u00fc\u00e7\u00fck bir karavanda ya\u015fayan ya\u015fl\u0131 bir kad\u0131nla kurdu\u011fu dostlu\u011fu kaleme al\u0131yor. Filmdeki rol\u00fcyle Alt\u0131n K\u00fcre adayl\u0131\u011f\u0131 olan Maggie Smith<\/strong> ile Bennett<\/strong>\u2019i canland\u0131ran Alex Jennings<\/strong> m\u00fcthi\u015f bir kimya tuttururlarken Zoraki Kom\u015fu<\/em><\/strong> bu iki oyuncunun omzunda y\u00fckseliyor.<\/p>\r\n

Bir Kad\u0131n Bir Erkek \/ Un + Une \/ One Plus One \/ Claude Lelouch<\/em><\/strong><\/p>\r\n

Frans\u0131z sinemas\u0131n\u0131n ustalar\u0131ndan Claude Lelouch<\/strong>, One Plus One \/ Bir Kad\u0131n Bir Erkek<\/em><\/strong> filminde bir kez daha kad\u0131n-erkek ili\u015fkileri \u00fczerine bir hik\u00e2yeyle kar\u015f\u0131m\u0131zda. Oscar \u00f6d\u00fcll\u00fc Jean Dujardin<\/strong>\u2019in canland\u0131rd\u0131\u011f\u0131 Antoine Abeilard, d\u00fcnyaca \u00fcnl\u00fc bir film m\u00fczi\u011fi bestecisidir. Hayatta her \u015feyi hafife alan bu adam, Frans\u0131z b\u00fcy\u00fckel\u00e7isinin kar\u0131s\u0131 Anna ile mecburi bir yolculu\u011fa \u00e7\u0131kar. \u0130kili hem fiziksel hem de ruhsal \u015fifa aramaktad\u0131r ve bu yolculuk boyunca birbirlerine \u00e2\u015f\u0131k olurlar. Filmde ayr\u0131ca C\u00e9sar \u00f6d\u00fcll\u00fc Elsa Zylberstein ve Christophe Lambert de rol al\u0131yor. Romantik izleyicileri ba\u015ftan \u00e7\u0131karacak, parlak renklerle bezeli bu egzotik a\u015fk filminin m\u00fczikleri Francis Lai<\/strong>\u2019ye ait.<\/p>\r\n

K\u00f6rd\u00fc\u011f\u00fcm \/ Maggie\u2019s Plan \/ Rebecca Miller<\/em><\/strong><\/p>\r\n

Senaryonu ve y\u00f6netmenli\u011fini \u00fcstlenen Rebecca Miller<\/strong>\u2019\u0131n filmi Maggie\u2019s Plan \/ K\u00f6rd\u00fc\u011f\u00fcm<\/em><\/strong> samimi ve m\u00fctavaz\u0131 bir komedi. Hem yak\u0131\u015f\u0131kl\u0131 hem zeki ama asla a\u015f\u0131k olmayaca\u011f\u0131 bir erke\u011fin spermleriyle \u00e7ocuk sahibi olmaya d\u00fc\u015f\u00fcnen Maggie\u2019nin kusursuz plan\u0131 s\u00fcrekli farkl\u0131 istikametlere d\u00f6nmek zorunda kal\u0131r. Kontrol hastalar\u0131 ve tesad\u00fcfleri seven \u201chayat\u201d aras\u0131ndaki \u00e7eki\u015fme hakk\u0131ndaki bu filmde Julianne Moore<\/strong>, John\u2019un eski kar\u0131s\u0131 Georgette rol\u00fcndeki performans\u0131yla parl\u0131yor. Filmin oyuncu kadrosunda Maggie rol\u00fcnde en son Mistress America\u2019<\/em>da oynayan Greta Gerwig<\/strong>, festival program\u0131ndaki Born to Be Blue<\/em>\u2019da ba\u015frol\u00fc oynayan Ethan Hawke<\/strong>, South Park<\/em>\u2019a sesini verenlerden Bill Hader<\/strong>, Grown-Ups <\/em>ve Bridesmaids<\/em>\u2019den tan\u0131d\u0131\u011f\u0131m\u0131z Maya Rudolph<\/strong> ve Vikings<\/em>\u2019in y\u0131ld\u0131z\u0131 Travis Fimmel<\/strong> yer al\u0131yor. \u0130lk g\u00f6sterimini Toronto Film Festivali\u2019nde yapan K\u00f6rd\u00fc\u011f\u00fcm<\/em>,<\/strong> New York, Sundance ve ge\u00e7ti\u011fimiz \u015fubat ay\u0131nda Berlin film festivallerinde de g\u00f6sterildi. Rebecca Miller\u2019\u0131 \u00f6nceki filmleri 2003\u2019te \u0130stanbul Film Festivali\u2019nde J\u00fcri \u00d6zel \u00d6d\u00fcl\u00fc ve \u0130zleyici \u00d6d\u00fcl\u00fc kazanan Personal Velocity<\/em>, The Ballad of Jack and Rose<\/em> ve Angela<\/em>\u2019dan tan\u0131yoruz. Yazar Arthur Miller\u2019\u0131n k\u0131z\u0131 olan Rebecca Miller, Oscar\u2019l\u0131 oyuncu Daniel Day-Lewis ile evli.<\/p>\r\n

Midnight Special \/ Jeff Nichols <\/em><\/strong><\/p>\r\n

Bol \u00f6d\u00fcll\u00fc Take Shelter \/ S\u0131\u011f\u0131nak<\/em> ile tan\u0131d\u0131\u011f\u0131m\u0131z Jeff Nichols<\/strong>\u2019\u0131n Berlin\u2019de Alt\u0131n Ay\u0131 i\u00e7in yar\u0131\u015fan yeni filmi Midnight Special<\/em><\/strong> 80\u2019li y\u0131llar\u0131n fantastik filmlerine bir sayg\u0131 duru\u015fu adeta. Film, o\u011flunu dini bir tarikata kapt\u0131ran bir baba ile \u00f6zel g\u00fc\u00e7lere sahip oldu\u011fu i\u00e7in sadece tarikat\u0131n de\u011fil devletin de pe\u015fine d\u00fc\u015ft\u00fc\u011f\u00fc o\u011flunun nefes kesen ka\u00e7\u0131\u015flar\u0131n\u0131n hik\u00e2yesini anlat\u0131yor. Michael Shannon, Joel Edgerton,<\/strong> Adam Driver<\/strong> ve Kirsten Dunst<\/strong>\u2019\u0131n ba\u015frollerini payla\u015ft\u0131\u011f\u0131, ba\u015ftan sona nefes nefese izlenen bu fantastik gerilimle Nichols, Spielberg, Carpenter ve Shyamalan gibi y\u00f6netmenlere g\u00f6ndermeler yaparken kendi tarz\u0131n\u0131 korumay\u0131 da ba\u015far\u0131yor. 18 Mart tarihinde Amerika\u2019da g\u00f6sterime girecek film sadece 20 g\u00fcn sonra \u0130stanbul Film Festivali kapsam\u0131nda izleyicilerle bulu\u015facak.<\/p>\r\n

Kar\u0131\u015fma Anne! \/ The Meddler \/ Lorena Scafaria<\/em><\/strong><\/p>\r\n

Daha \u00f6nce Coherence \/ Paralel Evren<\/em> filminde oyuncu olarak izledi\u011fimiz Lorene Scafaria<\/strong> bu kez ikinci y\u00f6netmenlik deneyimi olan ve senaryosunu de kendisinin kaleme ald\u0131\u011f\u0131 The Meddler \/ Kar\u0131\u015fma Anne!<\/em><\/strong> ile kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor. \u00c7at\u0131\u015fmal\u0131 bir anne-k\u0131z ili\u015fkisini konu alan film Susan Sarandon<\/strong>\u2019\u0131n performans\u0131yla y\u00fckselen bir komedi.<\/p>\r\n

\u00c7ete \/ El Clan \/ Pablo Trapero<\/em><\/strong><\/p>\r\n

D\u00fcnya pr\u00f6miyerini Venedik Film Festivali\u2019nde yapan ve y\u00f6netmeni Pablo Trapero\u2019<\/strong>ya G\u00fcm\u00fc\u015f Aslan En \u0130yi Y\u00f6netmen \u00d6d\u00fcl\u00fc\u2019n\u00fc getiren bol \u00f6d\u00fcll\u00fc The Clan \/ \u00c7ete,<\/em><\/strong> Akbank Galalar\u0131 b\u00f6l\u00fcm\u00fcnde. Arjantin\u2019in Oscar aday\u0131 olan ve \u00fclkesinde gelmi\u015f ge\u00e7mi\u015f en iyi gi\u015feyi yapan \u00c7ete<\/em><\/strong> \u0130spanya sinema akademisinin verdi\u011fi Goya \u00d6d\u00fclleri\u2019nde de \u0130spanyolca En \u0130yi Yabanc\u0131 Film \u00d6d\u00fcl\u00fcn\u00fc kazand\u0131 ve filmden esinlenen bir TV dizisi de \u00e7ekilmeye ba\u015fland\u0131. Arjantin tarihinin kara sayfalar\u0131ndan birini konu edinen film, cunta iktidar\u0131nda Arjantin istihbarat servisi i\u00e7in \u00e7al\u0131\u015fan ac\u0131mas\u0131z Arquimedes Puccio ve ailesinin 1980\u2019lerde de vah\u015fi eylemlerine devam etmesini i\u015fliyor. Dinamik kurgusu ve d\u00f6nemin rock \u015fark\u0131lar\u0131yla bezeli m\u00fczikleri sayesinde nefes nefese izleniyor. Alt\u0131n Lale Uluslararas\u0131 Yar\u0131\u015fma J\u00fcrisi\u2019nin ba\u015fkanl\u0131\u011f\u0131n\u0131 da \u00fcstlenecek Trapero ve oyuncu e\u015fi Martina Gusman da festivalin konu\u011fu olarak \u0130stanbul\u2019da olacaklar. <\/strong><\/p>\r\n

G\u00f6kdelen \/ High-rise \/ Ben Wheatley <\/em><\/strong><\/p>\r\n

\u0130ngiliz sinemas\u0131n\u0131n harika \u00e7ocu\u011fu Ben Wheatley<\/strong>\u2019nin yeni filmi High-rise \/ G\u00f6kdelen<\/em><\/strong>, k\u00fclt bilimkurgu yazar\u0131 J.G.\u00a0Ballard<\/strong>\u2019\u0131n ayn\u0131 adl\u0131 roman\u0131n\u0131n uyarlamas\u0131. Oyuncu kadrosundaTom Hiddleston<\/strong>, Jeremy Irons,<\/strong> Sienna Miller, Luke Evans, Elisabeth Moss, James Purefoy<\/strong>\u2019un bulundu\u011fu film, hik\u00e2yenin ge\u00e7ti\u011fi 70\u2019lerin distopya havas\u0131n\u0131 yans\u0131tan bir bilimkurgu; d\u00fcnyadan soyutlanm\u0131\u015f bir g\u00f6kdelende l\u00fcks bir ya\u015fam s\u00fcren gen\u00e7 bir doktor ve kontrol \u00fczerine kurulu d\u00fczenin alt\u00fcst olmas\u0131 \u00fczerine bir modernizm masal\u0131. Film, yap\u0131m tasar\u0131m\u0131, oyunculuklar, Wheatley<\/strong>\u2019in kontroll\u00fc y\u00f6netmenli\u011fi ve Ballard<\/strong>\u2019\u0131n uyarlanmas\u0131 zor d\u00fcnyas\u0131n\u0131 yans\u0131tma ba\u015far\u0131s\u0131yla \u00f6vg\u00fc toplad\u0131. Filmin senaryosunu yazan Eileen Davies,<\/strong> Wheatley<\/strong>\u2019nin e\u015fi. Filmin \u00e7ekimler Kuzey \u0130rlanda\u2019n\u0131n Bangor kasabas\u0131nda yap\u0131ld\u0131. Ballard\u2019\u0131n 1970\u2019lerde Nicholas Roeg, 2000\u2019lerde Vincenzo Natali\u2019nin y\u00f6netmesi d\u00fc\u015f\u00fcn\u00fclen, ancak sinema uyarlamas\u0131 bir t\u00fcrl\u00fc ger\u00e7ekle\u015fmeyen roman\u0131 ayn\u0131 adla T\u00fcrk\u00e7eye kazand\u0131r\u0131ld\u0131. D\u00fcnya pr\u00f6miyerini Toronto Film Festivali\u2019nde yapan G\u00f6kdelen<\/em><\/strong>\u2019nin m\u00fczikleri ise Pop Will Eat Itself\u2019in ba\u015f eleman\u0131, Pi<\/em>\u2019den Black Swan \/ Siyah Ku\u011fu<\/em>\u2019ya neredeyse t\u00fcm Darren Aronofsky filmlerinin ve ayr\u0131ca Stoker<\/em> ve Filth \/ Pislik<\/em> gibi filmlerin de m\u00fcziklerini besteleyen Clint Mansell<\/strong> taraf\u0131ndan yaz\u0131ld\u0131. Ben Wheatley<\/strong>\u2019nin \u00f6nceki filmleri A Field in England, Sightseers, Kill List<\/em> Filmekimi ve Film Festivali\u2019nde g\u00f6sterilmi\u015fti.<\/p>\r\n

\u00a0<\/strong><\/p>\r\n

YILLARA MEYDAN OKUYANLAR <\/strong><\/p>\r\n

Y\u0131llara Meydan Okuyanlar b\u00f6l\u00fcm\u00fcnde sinefillere hala formda d\u00fcnya sinemas\u0131na y\u00f6n vermeyi s\u00fcrd\u00fcren, \u00f6rnek al\u0131nan ve \u00f6d\u00fcle doymayan usta y\u00f6netmenlerin en son filmlerini izleme f\u0131rsat\u0131 bulacaklar. 10 filmin g\u00f6sterilece\u011fi Y\u0131llara Meydan Okuyanlar tema sponsorlu\u011funu ATV \u00fcstleniyor.<\/strong><\/p>\r\n

Y\u0131llara Meydan Okuyanlar b\u00f6l\u00fcm\u00fcnde yer alan filmler;<\/u><\/em><\/strong><\/p>\r\n

Kendi Kan\u0131m \/ Sangue del mio sangue \/ Blood of My Blood \/ Marco Bellocchio<\/em><\/strong><\/p>\r\n

D\u00fcnya pr\u00f6miyerini yapt\u0131\u011f\u0131 Venedik Film Festivali\u2019nde Uluslararas\u0131 Ele\u015ftirmenler Birli\u011fi Federasyonu FIPRESCI \u00d6d\u00fcl\u00fc\u2019n\u00fc kazanan Blood of My Blood \/ Kendi Kan\u0131m<\/em><\/strong>, Festivalin Ya\u015fam Boyu Ba\u015far\u0131 \u00d6d\u00fcl\u00fc sahibi usta \u0130talyan y\u00f6netmen Marco Bellocchio<\/strong>\u2019nun yeni filmi. Kendi Kan\u0131m<\/em><\/strong>, iki farkl\u0131 zaman diliminde, Orta\u00e7a\u011f\u2019da ve g\u00fcn\u00fcm\u00fczde ge\u00e7en iki farkl\u0131 hik\u00e2yeyi anlat\u0131yor. G\u00f6rsellik, m\u00fczik ve diyaloglar\u0131n birbirine \u00f6r\u00fcld\u00fc\u011f\u00fc filmin oyuncu kadrosunda y\u00f6netmen Marco Bellocchio<\/strong>\u2019nun o\u011flu Pier Giorgio Bellocchio<\/strong> da yer al\u0131yor.<\/p>\r\n

Hat\u0131rla \/ Remember \/ Atom Egoyan<\/em><\/strong><\/p>\r\n

Usta Kanadal\u0131 auteur<\/em> y\u00f6netmen Atom Egoyan<\/strong>\u2019\u0131n girift bir gerilimle \u00f6rd\u00fc\u011f\u00fc yeni filmi Remember \/ Hat\u0131rla<\/em><\/strong>, haf\u0131zas\u0131n\u0131 yitirmekte olan ya\u015fl\u0131 bir adam\u0131n an\u0131lara tutunma hik\u00e2yesini anlat\u0131rken g\u00fcc\u00fcn\u00fc Christopher Plummer<\/strong>\u2019\u0131n harika performans\u0131ndan al\u0131yor. \u0130ntikam ve adalet temalar\u0131n\u0131 i\u015fleyen filmde Oscarl\u0131 oyuncu Plummer\u2019\u0131n canland\u0131rd\u0131\u011f\u0131 Zev, 70 y\u0131l \u00f6nce ailesini bir toplama kamp\u0131nda katleden Nazi gardiyan\u0131n\u0131n izini bulur ve ge\u00e7 kalm\u0131\u015f adaleti eliyle sa\u011flamak i\u00e7in bir plan yapar. Venedik Film Festivali\u2019nde yar\u0131\u015fan filmde ba\u015froldeki Plummer\u2019a Bruno Ganz, J\u00fcrgen Prochnow ve Martin Landau e\u015flik ediyor. Remember \/ Hat\u0131rla<\/em><\/strong>, Mar del Plata Film Festivali\u2019nde \u0130zleyici \u00d6d\u00fcl\u00fc, Venedik\u2019te de Vittorio Veneto \u00d6d\u00fcl\u00fc kazand\u0131. Atom Egoyan\u2019\u0131n Felicia\u2019n\u0131n Yolculu\u011fu, Ger\u00e7e\u011fin \u00d6tesinde, Tap\u0131nma, \u015eeytan D\u00fc\u011f\u00fcm\u00fc<\/em> adl\u0131 filmleri daha \u00f6nce festivalde g\u00f6sterilmi\u015fti.<\/p>\r\n

Kad\u0131nlar\u0131n G\u00f6lgesinde \/ L\u2019ombre des femmes \/ In the Shadow of Women \/ Philippe Garrel<\/em><\/strong><\/p>\r\n

Frans\u0131z Yeni Dalgas\u0131\u2019n\u0131n ikinci ku\u015fak usta y\u00f6netmenlerinden Philippe Garrel<\/em><\/strong>, La jalousie \/ K\u0131skan\u00e7l\u0131k<\/em>\u2019\u0131n ard\u0131ndan parlak bir romantik komediyle beyazperdeye d\u00f6n\u00fcyor. Ge\u00e7ti\u011fimiz y\u0131l Cannes\u2019da Y\u00f6netmenlerin On Be\u015f G\u00fcn\u00fc b\u00f6l\u00fcm\u00fcn\u00fc a\u00e7an, belgesel sinemac\u0131 gen\u00e7 bir \u00e7iftin ili\u015fkisinin s\u0131navdan ge\u00e7ti\u011fi s\u00fcreci anlatan bu siyah-beyaz film, Yeni Dalga\u2019n\u0131n en parlak zamanlar\u0131n\u0131 an\u0131msat\u0131yor. Ya\u015fam, sanat, siyaset ve erkek egosunu ele alan filmin anlat\u0131c\u0131s\u0131 ise y\u00f6netmen Philippe Garrel<\/strong>\u2019in o\u011flu Louis Garrel<\/strong>. Filmin ba\u015frol\u00fcndeki Clotilde Courau<\/strong> prenses unvan\u0131 ta\u015f\u0131yor ve e\u015fi s\u00fcrg\u00fcndeki \u0130talya Kral\u0131\u2019n\u0131n torunu.<\/p>\r\n

Rabin\u2019in Son G\u00fcn\u00fc \/ Rabin, the Last Day \/ Amos Gitai<\/em><\/strong><\/p>\r\n

Rabin, the Last Day \/ Rabin\u2019in Son G\u00fcn\u00fc,<\/em><\/strong> \u0130srailli politikac\u0131, devlet adam\u0131 ve asker Yitzhak Rabin\u2019in 4 Kas\u0131m 1995\u2019te suikasta u\u011frayarak \u00f6ld\u00fcr\u00fclmeden \u00f6nceki son g\u00fcn\u00fcnde ya\u015fananlar\u0131 ve zorluklarla in\u015fa edilen umudun y\u0131k\u0131lma s\u00fcrecini konu al\u0131yor. \u0130srail sinemas\u0131n\u0131n en sayg\u0131de\u011fer y\u00f6netmenlerinden Amos Gitai<\/strong>\u2019nin son filmi Rabin\u2019in Son G\u00fcn\u00fc,<\/em><\/strong> Venedik Film Festivali\u2019nde ana yar\u0131\u015fmada yer ald\u0131. Yaser Arafat ve \u015eimon Perez\u2019le ile birlikte Nobel Bar\u0131\u015f \u00d6d\u00fcl\u00fc\u2019n\u00fc payla\u015fan Rabin\u2019e yak\u0131lan bir a\u011f\u0131t ve yak\u0131n siyasi tarih \u00fczerine bir inceleme olan film, alabildi\u011fine stilize bir dok\u00fcdrama. Rabin\u2019in Son G\u00fcn\u00fc <\/em><\/strong>d\u00fcnya pr\u00f6miyerini yapt\u0131\u011f\u0131 Venedik Film Festivali\u2019nde \u0130nternet Ele\u015ftirmenleri En \u0130yi Film ve Sevilla\u2019da J\u00fcri \u00d6zel ve \u0130nsan Haklar\u0131 \u00d6d\u00fcllerini ald\u0131. Gitai<\/strong>\u2019\u0131n festivalde \u00f6nceki y\u0131llarda Berlin, Kud\u00fcs; Kadosh \/ Kutsal<\/em>, Kippur<\/em>, Alila<\/em>, Free Zone \/ Serbest B\u00f6lge<\/em>, Disengagement \/ \u00c7\u00f6z\u00fclme<\/em> filmleri g\u00f6sterilmi\u015fti.<\/p>\r\n

K\u0131\u015f \u015eark\u0131s\u0131 \/ Winter Song \/ Chant d\u2019hiver<\/em><\/strong><\/p>\r\n

Festivalin Ya\u015fam Boyu Ba\u015far\u0131 \u00d6d\u00fcl\u00fc sahibi G\u00fcrc\u00fc y\u00f6netmen Otar Iosseliani<\/strong>\u2019nin Locarno\u2019da Alt\u0131n Leopar i\u00e7in yar\u0131\u015fan, be\u015f y\u0131ld\u0131r beklenen yeni filmi Winter Song \/ K\u0131\u015f \u015eark\u0131s\u0131<\/em><\/strong>, Jacques Tati\u2019den Charlie Chaplin\u2019e, Buster Keaton\u2019dan Samuel Beckett\u2019e referanslar ta\u015f\u0131yan bir sosyopolitik ta\u015flama. Iosseliani<\/strong> bu filminde kameras\u0131n\u0131 ge\u00e7mi\u015fe, \u015fimdiki zamana ve gelece\u011fe tutuyor. K\u0131\u015f \u015eark\u0131s\u0131<\/em><\/strong>, giyotinden ge\u00e7irilmi\u015f Frans\u0131z bir aristokrat ve iki eski dostun ba\u015f\u0131ndan ge\u00e7enleri izledi\u011fimiz bir \u015fehir komedisi. Y\u00f6netmen, sava\u015f kar\u015f\u0131t\u0131 filmini \u015fiirsel bir hisle donatmay\u0131 ve abs\u00fcrt mizah\u0131n en modern \u00f6rneklerinden birini sergilemeyi ihmal etmiyor. Peter Bogdanovich ile Woody Allen\u2019\u0131n sofistike bir kar\u0131\u015f\u0131m\u0131na benzetilen filmde \u00fcnl\u00fc y\u00f6netmen Tony Gatlif de s\u00fcrpriz rol \u00fcstleniyor. SSCB d\u00f6neminde Tiflis\u2019te do\u011fan, matematik, m\u00fczik ve sinema \u00f6\u011frenimi g\u00f6ren ve Fransa\u2019ya yerle\u015fen Iosseliani\u2019nin festivalde g\u00f6sterilen bir \u00f6nceki filmi, 2010 yap\u0131m\u0131 Chantrapas \/ \u0130\u015fe Yaramaz<\/em> idi.<\/p>\r\n

Korku Vir\u00fcs\u00fc \/ El Virus de la Por \/ Virus of Fear \/ Ventura Pons<\/em><\/strong><\/p>\r\n

Y\u00f6netmen Ventura Pons<\/strong>, korku hastal\u0131\u011f\u0131n\u0131n ne kadar kolay bula\u015ft\u0131\u011f\u0131n\u0131 anlatt\u0131\u011f\u0131 filmi Virus of Fear \/ Korku Vir\u00fcs\u00fc<\/em><\/strong>\u2019n\u00fc, y\u00fczme \u00f6\u011fretmeni Jordi, Jordi\u2019nin meslekta\u015f\u0131 H\u00e8ctor ve havuz m\u00fcd\u00fcr\u00fc Anna aras\u0131nda ge\u00e7en bir etik tart\u0131\u015fmas\u0131 etraf\u0131nda kurguluyor. Y\u00f6netmen hik\u00e2yeyi, s\u00fcrekli geri d\u00f6n\u00fc\u015flerle ve farkl\u0131 a\u00e7\u0131lardan tekrar izlettirdi\u011fi sahnelerle anlat\u0131yor.<\/p>\r\n

Ac\u0131 Soka\u011f\u0131 \/ La Calle de la Amargura \/ Bleak Street \/ Arturo Ripstein <\/em><\/strong><\/p>\r\n

Sinemaya Bu\u00f1uel\u2019in asistanl\u0131\u011f\u0131yla ba\u015flayan, Meksika sinemas\u0131n\u0131n 1960\u2019lardan bu yana en \u00fcretken ve b\u00fcy\u00fck y\u00f6netmenlerinden Arturo Ripstein<\/strong> yeni filmi Bleak Street \/ Ac\u0131 Soka\u011f\u0131<\/em><\/strong>\u2019ndan bahsederken \u201cGer\u00e7eklik fani bir durumdur\u201d diyor. Y\u00f6netmenin bu seferki kahramanlar\u0131, hi\u00e7 hesapta yokken a\u011f\u0131r bir su\u00e7a bula\u015f\u0131p tutuklanan ya\u015fl\u0131ca iki hayat kad\u0131n\u0131. Ripstein<\/strong>\u2019\u0131n d\u00fcnyas\u0131 ve g\u00f6r\u00fcnt\u00fc y\u00f6netmeni Alejandro Cantu<\/strong>\u2019nun kameras\u0131 hayal k\u0131r\u0131kl\u0131klar\u0131yla dolu bu hayatlar\u0131n hik\u00e2yesinde buruk bir b\u00fcy\u00fclenme hissini beraberinde getiriyor. Toronto Film Festivali\u2019nde Ustalar b\u00f6l\u00fcm\u00fcnde g\u00f6sterilen Ac\u0131 Soka\u011f\u0131<\/em><\/strong>, siyah-beyaz g\u00f6r\u00fcnt\u00fcleri ve al\u0131\u015f\u0131lmad\u0131k olay \u00f6rg\u00fcs\u00fcyle ger\u00e7ek\u00fcst\u00fc bir his uyand\u0131r\u0131rken \u0130talyan yeni ger\u00e7ek\u00e7ilik ak\u0131m\u0131na da g\u00f6z k\u0131rp\u0131yor. Venedik\u2019te yar\u0131\u015fma d\u0131\u015f\u0131 g\u00f6sterilen Ac\u0131 Soka\u011f\u0131<\/em><\/strong>, Gijon Film Festivali\u2019nde Ripstein\u2019e En \u0130yi Y\u00f6netmen \u00d6d\u00fcl\u00fcn\u00fc getirdi. Meksika\u2019da ger\u00e7ek bir olaydan esinlenen filmin senaryosunu Ripstein\u2019in e\u015fi Paz Alicia Garc\u00edadiego yazd\u0131. Filmin siyah-beyaz olmas\u0131na dair Risptein \u015f\u00f6yle diyor: \u201cNe g\u00f6rd\u00fcysem, b\u00fct\u00fcn temel filmler hep siyah-beyaz oldu; ben de hayat\u0131 hep siyah-beyaz \u00f6\u011frendim. B\u00fct\u00fcn filmlerimi asl\u0131nda siyah-beyaz d\u00fc\u015f\u00fcn\u00fcyorum ama ticari sebeplerden b\u00f6yle ger\u00e7ekle\u015ftirmiyorum.\u201d<\/p>\r\n

11 Dakika \/ 11 Munit \/ 11 Minutes \/ <\/em><\/strong>Jerzy Skolimowski<\/em><\/strong><\/p>\r\n

Polonya sinemas\u0131n\u0131n usta ismi, \u0130stanbul Film Festivali\u2019nin Ya\u015fam Boyu Ba\u015far\u0131 \u00d6d\u00fcl\u00fc sahibi Jerzy Skolimowski<\/strong>\u2019den yenilik\u00e7i, taze ve dinamik bir film; 11 Minutes \/ 11 Dakika<\/em><\/strong>. Venedik\u2019te mansiyon alan film, bir\u00e7ok karakterin ya\u015fam\u0131na yakla\u015farak k\u0131yametin hissedildi\u011fi ayn\u0131 11 dakikaya odaklan\u0131yor ve karakterlerini ger\u00e7ek zamanda izliyor. \u00c7a\u011f\u0131m\u0131z\u0131n \u201cfelaket kap\u0131da\u201d hissini, i\u00e7 i\u00e7e ge\u00e7en kurgularla bir yandan da kara mizah\u0131 ihmal etmeden veren bu gerilim filmi Polonya\u2019n\u0131n Oscar aday\u0131 oldu. Skolimowski<\/strong>, \u201cbu filmi Hollywood\u2019un aksiyon filmlerine tepki olarak geli\u015ftirirken tempoya biraz da zek\u00e2 ve bir nebze \u015fiddet ekledim\u201d diyor.<\/p>\r\n

Francofonia \/ Alexander Sokurov<\/em><\/strong><\/p>\r\n

Venedik Film Festivali\u2019nde FEDEORA Ele\u015ftirmenler Birli\u011fi En \u0130yi Film \u00d6d\u00fcl\u00fc\u2019n\u00fc kazanan Francofonia<\/em><\/strong>, efsane m\u00fcze Louvre\u2019a ve sanata \u00e7ekilmi\u015f bir a\u015fk mektubu… 2008\u2019de festivalin Sinema Onur \u00d6d\u00fcl\u00fc verilen Aleksander Sokurov<\/strong> insanl\u0131k tarihinin en nadide sanat eserlerinin sergilendi\u011fi u\u00e7suz bucaks\u0131z, efsane Louvre\u2019un g\u00f6rkemli salonlar\u0131n ve galerilerin i\u00e7inde k\u0131vr\u0131la k\u0131vr\u0131la dola\u015f\u0131rken sanat, k\u00fclt\u00fcr, iktidar, tarih, Fransa ve Avrupa \u00fczerine benzersiz bir ba\u015fyap\u0131t \u00e7\u0131kart\u0131yor. Sokurov,<\/strong> zamanda yapt\u0131\u011f\u0131 gezintiyle, St. Petersburg\u2019un \u00fcnl\u00fc m\u00fczesi Hermitage\u2019i anlatt\u0131\u011f\u0131 Russkiy kovcheg \/ Rus Hazine Sand\u0131\u011f\u0131<\/em>\u2019ndan sonra yine kendine has, \u015fiirsel bir m\u00fcze tasviriyle kar\u015f\u0131m\u0131zda.<\/p>\r\n

Ya\u015f 17 \/ Being 17 \/ Quand on a 17 ans \/ Andr\u00e9 T\u00e9chin\u00e9 <\/em><\/strong><\/p>\r\n

Frans\u0131z sinemas\u0131n\u0131n usta y\u00f6netmenlerinden Andr\u00e9 T\u00e9chin\u00e9<\/strong>, yeni filmi, Being 17 \/ Ya\u015f 17<\/em><\/strong>\u2019<\/em>de cinsel kimlik ve b\u00fcy\u00fcme sanc\u0131lar\u0131na zarafetle bak\u0131yor. Film, lisede s\u0131n\u0131f arkada\u015f\u0131 olan, farkl\u0131 sosyal s\u0131n\u0131ftan 17 ya\u015f\u0131nda iki delikanl\u0131n\u0131n gergin arkada\u015fl\u0131\u011f\u0131 etraf\u0131nda d\u00f6n\u00fcyor. Berlin Film Festivali\u2019nde Alt\u0131n Ay\u0131 i\u00e7in yar\u0131\u015fan film, gen\u00e7 akt\u00f6rler Kacey Mottet Klein <\/strong>ve Corentin Fila<\/strong>\u2019n\u0131n performanslar\u0131, Andr\u00e9 T\u00e9chin\u00e9<\/strong>\u2019nin b\u00fcy\u00fcme hik\u00e2yesine h\u00e2kimiyeti, getirdi\u011fi taze ve umut dolu bak\u0131\u015fla takdir edildi.<\/p>\r\n

\u00a0<\/strong><\/p>\r\n

D\u00dcNYA FEST\u0130VALLER\u0130NDEN<\/strong><\/p>\r\n

Sabah Gazetesi sponsorlu\u011fundaki D\u00fcnya Festivallerinden b\u00f6l\u00fcm\u00fcnde <\/strong>uluslararas\u0131 film festivallerinde \u00f6ne \u00e7\u0131kan, d\u00fcnyan\u0131n d\u00f6rt bir yan\u0131ndan \u00e7o\u011fu \u00f6d\u00fcll\u00fc, y\u00f6netmenleriyle oldu\u011fu kadar oyuncular\u0131 ve konular\u0131yla da ad\u0131ndan \u00e7ok s\u00f6z edilen 21 film izleyiciyle bulu\u015facak. <\/strong><\/p>\r\n

D\u00fcnya Festivallerinden b\u00f6l\u00fcm\u00fcnde yer alan filmler;<\/u><\/em><\/strong><\/p>\r\n

K\u00f6pe\u011fin Kalbi \/ Heart of a Dog \/ Laurie Anderson<\/em><\/strong><\/p>\r\n

New York sanat \u00e7evrelerinin 30 y\u0131ld\u0131r konu\u015fulan avangart sanat\u00e7\u0131s\u0131, m\u00fczisyen, performans sanat\u00e7\u0131s\u0131, yazar, d\u00fc\u015f\u00fcn\u00fcr, y\u00f6netmen Laurie Anderson<\/strong>, 29 y\u0131ll\u0131k aran\u0131n ard\u0131ndan sinemaya d\u00f6n\u00fcyor. Kendi d\u0131\u015f sesiyle anlatt\u0131\u011f\u0131, Venedik Film Festivali\u2019nde Alt\u0131n Aslan i\u00e7in yar\u0131\u015fan Heart of a Dog \/ K\u00f6pe\u011fin Kalbi<\/em><\/strong>\u2019<\/em>nde Anderson<\/strong> canland\u0131rma, ev videolar\u0131, bozulan imajlar gibi de\u011fi\u015fik film tekniklerini kullan\u0131yor. Film, y\u00f6netmenin \u00e7ok sevdi\u011fi teriyer k\u00f6pe\u011fi Lolabelle\u2019den, 11 Eyl\u00fcl sonras\u0131 y\u00fckselen devlet paranoyalar\u0131na, g\u00f6ky\u00fcz\u00fcne, Wittgenstein\u2019a, \u00f6l\u00fcme uzan\u0131yor. Laurie Anderson<\/strong>, filmde Tibet \u00d6l\u00fcler Kitab\u0131\u2019<\/em>ndan esinlendi\u011fini s\u00f6yl\u00fcyor. Anderson<\/strong>\u2019un hayat arkada\u015f\u0131 Amerikal\u0131 efsane m\u00fczisyen Lou Reed\u2019i film i\u00e7in kaydetti\u011fi m\u00fczikleri i\u00e7eren soundtrack alb\u00fcm\u00fc de Ekim ay\u0131nda yay\u0131mland\u0131.<\/p>\r\n

Kibir \/ La vanit\u00e9 \/ Vanity \/ Lionel Baier <\/em><\/strong><\/p>\r\n

Lionel Baier<\/strong>, g\u00fcc\u00fcn\u00fc hayat\u0131n kendi kara mizah\u0131ndan alan filmi Vanity \/ Kibir<\/em><\/strong>\u2019de, \u00f6l\u00fcm hakk\u0131nda Woody Allen\u2019vari fikir y\u00fcr\u00fct\u00fcyor. Ecelini beklemeden hayat\u0131na son vermeye karar vermi\u015f bir ki\u015fi, onun kom\u015fusu ve insanlar\u0131n intihar etmesine yard\u0131m eden bir \u015firket \u00e7al\u0131\u015fan\u0131 olan \u00fc\u00e7 farkl\u0131 insan\u0131n, \u00f6l\u00fcmden ba\u015fka konular \u00fczerinden birbirleriyle ileti\u015fim kurmalar\u0131n\u0131 konu al\u0131yor. \u0130svi\u00e7re\u2019nin gen\u00e7 ku\u015fak y\u00f6netmenlerinden Lionel Baier<\/strong>\u2019in yedinci uzun metrajl\u0131 filmi, ilk g\u00f6sterimini Cannes Film Festivali\u2019nde ACID yan b\u00f6l\u00fcm\u00fcnde yapt\u0131. Baier<\/strong>, filmin tonunu, hayran oldu\u011fu y\u00f6netmen Ernst Lubitsch\u2019ten esinlenerek kuruyor. Filmin \u00fc\u00e7 ba\u015frol\u00fcnden birini, Almodovar\u2019\u0131n feti\u015f oyuncular\u0131ndan Carmen Maura<\/strong> \u00fcstleniyor.<\/p>\r\n

Frans\u0131z Kan\u0131 \/ Un Fran\u00e7ais \/ French Blood \/ Diast\u00e8me <\/em><\/strong><\/p>\r\n

Az\u0131nl\u0131klara sald\u0131ran, kendi gibi olmayan herkesten nefret eden Neo Nazi Marko, zamanla nefret duygusunun azalmas\u0131yla kendini sorgulamaya ba\u015flar. Bug\u00fcne kadar beslendi\u011fi \u015fiddetten nas\u0131l kurtulaca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnmeye, bir \u00e7\u00f6z\u00fcm yolu bulmaya, k\u0131sacas\u0131 iyi bir insan olmay\u0131 denemeye \u00e7al\u0131\u015f\u0131r. Bir yandan 20 y\u0131ll\u0131k ki\u015fisel bir geli\u015fim yolculu\u011funu takip eden French Blood <\/em><\/strong>\/ Frans\u0131z Kan\u0131<\/em><\/strong>, bir yandan da Fransa\u2019da az bilinen a\u015f\u0131r\u0131 bir hareketin toplumsal konumunu, ger\u00e7ek olaylardan esinlenerek inceliyor. Ba\u015frollerini Alban Lenoir<\/strong>, Paul Hamy<\/strong>, Samuel Jouy<\/strong>, Patrick Pineau<\/strong>\u2019nun \u00fcstlendi\u011fi film, Toronto Film Festivali\u2019nde ilk g\u00f6sterimini yapt\u0131, Fransa\u2019da daha fragman\u0131 \u00e7\u0131k\u0131nca sinemalara, y\u00f6netmene, oyunculara tehditler ya\u011fd\u0131 ve bunun \u00fczerine baz\u0131 salonlar filmi g\u00f6stermekten vazge\u00e7ti. Sinemac\u0131l\u0131k e\u011fitimi g\u00f6rmeyen, 10 y\u0131l gazetecilik yapan y\u00f6netmen Diast\u00e8me<\/strong>, daha \u00f6nce hi\u00e7 \u015fiddet sahnesi \u00e7ekmedi\u011fi i\u00e7in, tarz\u0131n\u0131 anlayabilmek i\u00e7in Pusher<\/em> \u00fc\u00e7lemesini izlemi\u015f ve t\u00fcm \u00e7ekim ekibine de izletmi\u015f.<\/p>\r\n

Binbir Gece: B\u00f6l\u00fcm 1, Huzursuz Adam \/ As Mil e Uma Noites: Volume 1, O Inquieto \/ Arabian Nights: Volume 1 – The Restless One \/ Miguel Gomes <\/em><\/strong><\/p>\r\n

Binbir Gece: B\u00f6l\u00fcm 2, Kasvetli Adam \/ As Mil e Uma Noites: Volume 2, O Desolado \/ Arabian Nights: Volume 2 – The Desolate One \/ Miguel Gomes<\/em><\/strong><\/p>\r\n

Binbir Gece: B\u00f6l\u00fcm 3, B\u00fcy\u00fclenmi\u015f Adam \/ As Mil e Uma Noites: Volume 3, O Encantado \/ Arabian Nights: Volume 3 – The Enchanted One \/ Miguel Gomes <\/em><\/strong><\/p>\r\n

Avrupa Film \u00d6d\u00fclleri\u2019nde En \u0130yi Ses, Sevilla Avrupa Filmleri Festivali\u2019nde En \u0130yi Film \u00f6d\u00fcllerini kazanan bu \u00fc\u00e7leme, Wroclaw New Horizons Film Festivali\u2019nde de Ele\u015ftirmenler Birli\u011fi FIPRESCI \u00d6d\u00fcl\u00fc\u2019n\u00fc kazand\u0131. \u0130ki efsane sinema dergisi, hem Sight & Sound <\/em>hem de Cahiers du Cin\u00e9ma<\/em>\u2018n\u0131n se\u00e7ti\u011fi ge\u00e7ti\u011fimiz y\u0131l\u0131n en iyi 10 filmi aras\u0131nda Miguel Gomes<\/strong>‘in \u00fc\u00e7 b\u00f6l\u00fcmden olu\u015fan bu b\u00fcy\u00fcleyici ve epik filmi yer al\u0131yor. Daha \u00f6nce festivalde k\u0131sa filmlerini izledi\u011fimiz Gomes<\/strong>, bu iddial\u0131 projesinde Binbir Gece Masallar\u0131<\/em>‘n\u0131n bir \u00f6yk\u00fcden di\u011ferine ge\u00e7en serbest anlat\u0131 yap\u0131s\u0131n\u0131 \u00f6d\u00fcn\u00e7 al\u0131yor ve \u00fclkesi Portekiz’deki ekonomik krizin etkilerini inceliyor. \u00dc\u00e7lemenin ilk b\u00f6l\u00fcm\u00fc Huzursuz Adam<\/em><\/strong> belgesel ve kurmacay\u0131, ge\u00e7mi\u015f ve bug\u00fcn\u00fc, ger\u00e7ek ve fanteziyi birle\u015ftiriyor. \u0130kinci film olan Kasvetli Adam<\/em><\/strong>\u2019da su\u00e7 ve adalet \u00f6yk\u00fcleriyle mizah\u0131n dozu artarken \u00fc\u00e7lemenin son halkas\u0131 B\u00fcy\u00fclenmi\u015f Adam<\/em><\/strong>\u2019da \u00f6yk\u00fclerde \u015eehrazat’\u0131n saraydan ka\u00e7\u0131\u015f\u0131n\u0131, Portekiz’deki h\u00fck\u00fcmet kar\u015f\u0131t\u0131 protestolar\u0131 izliyoruz. Binbir Gece<\/em><\/strong> \u00fc\u00e7lemesi ge\u00e7ti\u011fimiz y\u0131l boyunca pek \u00e7ok festivali dola\u015ft\u0131 ve Gomes<\/strong>‘in yarat\u0131c\u0131 anlat\u0131m\u0131 kadar, ses ve g\u00f6r\u00fcnt\u00fc y\u00f6netimi ba\u015fta olmak \u00fczere teknik \u00f6zellikleriyle de \u00f6vg\u00fc toplad\u0131.<\/p>\r\n

Bir Ejderha Uyan\u0131yor! \/ Ejdeha Vared Mishavad! \/ A Dragon Arrives! \/ Mani Hagighi<\/em><\/strong><\/p>\r\n

Berlin Film Festivali\u2019nde ana yar\u0131\u015fmada Alt\u0131n Ay\u0131 i\u00e7in yar\u0131\u015fan A\u00a0Dragon\u00a0Arrives! \/ Bir Ejderha Uyan\u0131yor!<\/em><\/strong>, farkl\u0131 t\u00fcrlerden bir\u00e7ok \u00f6\u011feyi alabildi\u011fine kullanan, e\u011flencelik oldu\u011fu kadar siyasi g\u00f6ndermeler i\u00e7eren bir film. Abs\u00fcrd bir hayalet hik\u00e2yesiyle bir dedektiflik gizeminin i\u00e7 i\u00e7e ge\u00e7ti\u011fi Bir Ejderha Uyan\u0131yor!<\/em><\/strong>, y\u00f6netmeni Mani Hagighi<\/strong>\u2019nin tabiriyle \u201cbilimkurgu, paranoya ve X-Files\u2019\u0131 Philip Marlowe, Dashiell Hammett dedektif malzemesini Jules Verne ve Tenten ve Indiana Jones ile bir araya getiriyor.\u201d \u0130ran\u2019\u0131n g\u00f6zal\u0131c\u0131 co\u011frafyas\u0131n\u0131 fon edinen Bir Ejderha Uyan\u0131yor!<\/em><\/strong>, olabildi\u011fince \u00e7arp\u0131c\u0131 ve stilize bir g\u00f6r\u00fcnt\u00fc y\u00f6netimi benimsiyor.<\/p>\r\n

Gelecek G\u00fcnler \/ Things to come \/ L\u2019avenir \/ Mia Hansen-L\u00f8ve<\/em><\/strong><\/p>\r\n

Things to Come \/ Gelecek G\u00fcnler,<\/em><\/strong> Berlinale\u2019de y\u00f6netmeni <\/strong>Mia Hansen-L\u00f8ve\u2019a <\/strong>G\u00fcm\u00fc\u015f Ay\u0131 En \u0130yi Y\u00f6netmen \u00f6d\u00fcl\u00fcn\u00fc kazand\u0131rd\u0131. Isabelle Huppert, bir dizi talihsizlikle ya\u015fam\u0131nda yeni bir y\u00f6n se\u00e7mek zorunda kalan bir profes\u00f6r\u00fc canland\u0131r\u0131yor. Huppert\u2019i kariyerinin en \u00f6nemli performanslar\u0131ndan birinde izledi\u011fimiz <\/strong>Gelecek G\u00fcnler<\/em><\/strong>, hayat\u0131ndaki her ta\u015f\u0131n y\u00fczde y\u00fcz yerine oturdu\u011fundan emin, entelekt\u00fcel bir orta ya\u015f felsefe \u00f6\u011fretmeninin, alt\u00fcst olan hayat\u0131na nas\u0131l y\u00f6n verdi\u011fi \u00fczerine bir \u00e7al\u0131\u015fma. <\/strong><\/p>\r\n

Vicdan\u0131n Sesi \/ Chaharshanbeh, 19 Ordibehesht \/ Wednesday, May 19 \/ Vahid Jalilvand<\/em><\/strong><\/p>\r\n

Tiyatro oyunculu\u011fundan TV y\u00f6netmenli\u011fine ge\u00e7en, ard\u0131ndan da onlarca belgesel film \u00e7eken Vahid Jalilvand<\/strong>, Wednesday, May 19 \/ Vicdan\u0131n Sesi<\/em><\/strong>\u2019<\/em>yle son d\u00f6nemde \u0130ran\u2019dan \u00e7\u0131km\u0131\u015f en \u00e7arp\u0131c\u0131 filmlerden birine imza at\u0131yor. Venedik\u2019te Ufuklar B\u00f6l\u00fcm\u00fc FIPRESCI \u00d6d\u00fcl\u00fc, Reykjavik\u2019te En \u0130yi Film \u00d6d\u00fcl\u00fc alan film \u00fclkenin toplum yap\u0131s\u0131na ve toplumun y\u00f6netilme \u015fekline dair pek \u00e7ok \u015fey s\u00f6yl\u00fcyor. Celal ad\u0131nda bir adam \u0130ran\u2019da bir gazeteye al\u0131\u015f\u0131lmad\u0131k bir reklam verir: \u0130htiya\u00e7 sahibi birine 10.000 dolarl\u0131k bir ba\u011f\u0131\u015f yapacakt\u0131r. Bu haber kalabal\u0131k bir insan g\u00fcruhunu bir araya getirir. Filmin ba\u015frollerinde festival j\u00fcri \u00fcyelerinden Niki Karimi<\/strong> de yer al\u0131yor. Niki Karimi, Bratislava Film Festivali\u2019nde rol arkada\u015f\u0131 Sahar Ahmadpour ile ile En \u0130yi Kad\u0131n Oyuncu \u00d6d\u00fcl\u00fc\u2019n\u00fc payla\u015ft\u0131. Filmin \u00f6yk\u00fcs\u00fcn\u00fc \u00fc\u00e7 farkl\u0131 bak\u0131\u015f a\u00e7\u0131s\u0131ndan anlatan y\u00f6netmen Jalilvand, kurgusunu ve ortak yap\u0131mc\u0131l\u0131\u011f\u0131n\u0131 da \u00fcstlendi\u011fi filminde rol de al\u0131yor. Yirmi y\u0131ld\u0131r sitar ve tef \u00e7alan y\u00f6netmen Jalilvand, en sevdi\u011fi y\u00f6netmenler olarak Ron Howard ve Alejandro Gonzalez I\u00f1arritu\u2019yu s\u00f6yl\u00fcyor.<\/p>\r\n

\u00d6tedekiler \/ The Other Side \/ Roberto Minervini<\/em><\/strong><\/p>\r\n

Bir \u00f6nceki filmi Stop the Pounding Heart<\/em>\u2019ta belgesel ile kurmaca aras\u0131ndaki ince \u00e7izgide dengede durmay\u0131 ba\u015faran Roberto Minervini<\/strong>, pr\u00f6miyerini Cannes\u2019\u0131n Belirli Bir Bak\u0131\u015f b\u00f6l\u00fcm\u00fcnde yapan yeni dok\u00fcdramas\u0131 The Other Side \/ \u00d6tedekiler<\/em><\/strong>\u2019de de benzer bir \u201cg\u00f6rsel \u015fiir\u201din alt\u0131na imzas\u0131n\u0131 at\u0131yor. Amerika\u2019da siyasal kurumlar taraf\u0131ndan \u00f6teye itilmi\u015f, art\u0131k g\u00f6rmezden gelinen bir grup insan\u0131n hik\u00e2yesini aktar\u0131yor ve bu insanlar\u0131n hayatta kalma y\u00f6ntemleri \u00fczerine g\u00f6zlemler yap\u0131yor. \u00d6tedekiler<\/em><\/strong>, Amerika\u2019n\u0131n karanl\u0131k y\u00fcz\u00fcne \u0131\u015f\u0131k tutuyor.<\/p>\r\n

Alt Kat \/ Un etaj mai jos \/ One Floor Below \/ Radu Muntean<\/em><\/strong><\/p>\r\n

Romanya Yeni Dalga sinemas\u0131n\u0131n \u00f6nde gelen y\u00f6netmenlerinden Radu Muntean\u2019\u0131n Cannes Film Festivali\u2019nin Belirli Bir Bak\u0131\u015f B\u00f6l\u00fcm\u00fc\u2019nde bolca \u00f6vg\u00fc alan son filmi One Floor Below \/ Alt Kat<\/em><\/strong>, insan ruhunu anlayan bir film. Kimsenin fark etmedi\u011fi bir cinayete tan\u0131k olan bir adam\u0131n vicdan muhasebesini konu alan film Sevilla\u2019da En \u0130yi Erkek Oyuncu ve En \u0130yi Senaryo \u00d6d\u00fcllerini ald\u0131. Filmin senaryosunu Radu Muntean<\/strong> ile 2014\u2019te Alt\u0131n Lale Uluslararas\u0131 Yar\u0131\u015fma j\u00fcrisinde yer alan Razvan Radulescu <\/strong>ve Alexandru Baciu<\/strong> birlikte yazd\u0131. Razvan Radulescu, daha \u00f6nce izledi\u011fimiz Death of Mr. Lazarescu, 4 Ay, 3 Hafta, 2 G\u00fcn; \u00c7ocuk Pozu<\/em> filmlerinin de senaryo yazar\u0131.<\/p>\r\n

Ezgiler Ezgisi \/ Pesn pesney \/ Song of Songs \/ Eva Neymann<\/em><\/strong><\/p>\r\n

Ukrayna as\u0131ll\u0131 y\u00f6netmen Eva Neymann<\/strong>\u2019\u0131n 2013\u2019te Alt\u0131n Lale i\u00e7in yar\u0131\u015fan ve Radikal Halk \u00d6d\u00fcl\u00fc\u2019n\u00fc kazanan Kuleli Ev<\/em>\u2019den sonra \u00e7ekti\u011fi yeni filmi Song of Songs \/ Ezgilerin Ezgisi<\/em><\/strong> bir b\u00fcy\u00fcme hik\u00e2yesi. Film, ayn\u0131 anda hem b\u00fcy\u00fcl\u00fc hem de zorluklarla dolu, modern d\u00fcnya ve gelenekler aras\u0131nda filizlenen ve uzun y\u0131llara yay\u0131lan lirik bir a\u015fk hik\u00e2yesi anlat\u0131yor. Neyman<\/strong>\u2019\u0131n \u00fc\u00e7\u00fcnc\u00fc uzun metraj\u0131, efsanevi Yidi\u015f yazar Sholem Aleichem\u2019in romanlar\u0131ndan esinleniyor ve Rusya\u2019da bir zamanlar\u0131n yayg\u0131n Yahudi yerle\u015fimleri \u201c\u015ftetl\u201dlar\u0131 mek\u00e2n olarak kullan\u0131yor. Filmin ruhani hissiyat\u0131 ise Yossele Rosenblatt, Josef Hassid, Jascha Heifetz gibi Yahudi m\u00fczisyenlerin plaklardan \u00e7al\u0131nan besteleriyle derinle\u015fiyor. Ezgilerin Ezgisi<\/em><\/strong> ilk g\u00f6sterimini Karlovy Vary Film Festivali\u2019nde ana yar\u0131\u015fmada yapt\u0131 ve Kiliseler Birli\u011fi j\u00fcrisinden Mansiyon ald\u0131; Odessa Film Festivali\u2019nde ise hem En \u0130yi Film hem de En \u0130yi Ukrayna Filmi \u00f6d\u00fcllerini kazand\u0131.<\/p>\r\n

K\u00fc\u00e7\u00fck Adamlar \/ Little Men \/ Ira Sachs<\/em><\/strong><\/p>\r\n

I\u015f\u0131k A\u00e7\u0131k Kals\u0131n<\/em> ile tan\u0131d\u0131\u011f\u0131m\u0131z Ira Sachs<\/strong>‘in yaz\u0131p y\u00f6netti\u011fi Little Men \/ K\u00fc\u00e7\u00fck Adamlar<\/em><\/strong>, ergenlik y\u0131llar\u0131na \u00f6zel o benzersiz arkada\u015fl\u0131k ili\u015fkilerini tekrar hat\u0131rlatan, m\u00fctevaz\u0131 ama uzun s\u00fcre akl\u0131n\u0131zdan \u00e7\u0131kmayacak bir dram. 13 ya\u015f\u0131ndaki Jake ve Tony birbirlerinin en iyi arkada\u015f\u0131d\u0131r ancak ebeveynleri aras\u0131nda \u00e7\u0131kan anla\u015fmazl\u0131k, \u00e7ocuklar\u0131n aras\u0131ndaki dostlu\u011fu \u00f6nemli bir s\u0131nava tabi tutar.<\/p>\r\n

Do\u011fru Zaman \/ Ji-geum-eun-mat-go-geu-ddae-neun-teul-li-da \/ Right Now, Wrong Then \/ Hong Sang Soo<\/em><\/strong><\/p>\r\n

Locarno Film Festivali\u2019nde Alt\u0131n Leopar\u2019\u0131 alan ve ba\u015frol\u00fcndeki Jung Jae-young<\/strong>\u2019a da En \u0130yi Erkek Oyuncu \u00d6d\u00fcl\u00fc\u2019n\u00fc getiren Right Now, Wrong Then \/ Do\u011fru Zaman<\/em> <\/strong>Hong Sang-soo<\/strong>\u2019nun yeni komedisi. Martin Scorsese taraf\u0131ndan G\u00fcney Kore\u2019nin Woody Allen\u2019\u0131 olarak tan\u0131mlad\u0131\u011f\u0131 Hong Sang Soo<\/strong>, Do\u011fru Zaman<\/em><\/strong>\u2019da bir y\u00f6netmen ve tan\u0131\u015ft\u0131\u011f\u0131 ressam bir gen\u00e7 kad\u0131n\u0131n ge\u00e7irdikleri birka\u00e7 saatin iki versiyonunu izleyiciye sunuyor. Ba\u015frolde y\u00f6netmeni canland\u0131ran ve bu rol\u00fcyle Asya Pasifik Sinema \u00d6d\u00fclleri\u2019nde de \u00f6d\u00fcl alan Jung Jae-young<\/strong>, festivalde daha \u00f6nce g\u00f6sterilen Our Sunhi \/ Hepimizin Sevgilisi<\/em>\u2019nde de ba\u015froldeydi.<\/p>\r\n

Seni Seviyorum Hedi \/ Inhebek Hedi \/ Hedi \/ Mohamed Ben Attia <\/em><\/strong><\/p>\r\n

Berlin\u2019de iki \u00f6d\u00fcl birden kazanan <\/strong>Inhebbek Hedi<\/em><\/strong> \/ Seni Seviyorum Hedi<\/em><\/strong>, Tunuslu sinemac\u0131 <\/strong>Mohamed Ben Attia<\/strong>\u2019n\u0131n ilk uzun metrajl\u0131 filmi. Ba\u015frol\u00fcndeki Majd Mastoura\u2019ya En \u0130yi Erkek Oyuncu, y\u00f6netmenine de en iyi En \u0130yi \u0130lk Film \u00f6d\u00fcl\u00fcn\u00fc getiren <\/strong>Seni Seviyorum Hedi<\/em><\/strong>, <\/strong>Tunus\u2019un Yasemin Devrimi\u2019nin be\u015f y\u0131l sonras\u0131nda, Hedi adl\u0131 gen\u00e7 bir adam\u0131n, gelenekler, \u00f6zg\u00fcrl\u00fck ve a\u015fk aras\u0131nda bocalamas\u0131n\u0131 anlat\u0131yor.<\/p>\r\n

Mars\u2019tan Haberler Var \/ Des Nouvelles de la Plan\u00e8te Mars \/ News From Planet Mars \/ Dominik Moll <\/em><\/strong><\/p>\r\n

Harry, \u0130yili\u011finizi \u0130steyen Bir Dost<\/em> ve Lemming<\/em> filmlerinin \u00fcnl\u00fc y\u00f6netmeni Dominik Moll<\/strong>\u2019un yeni filmi News from Planet Mars \/ Mars\u2019tan Haberler Var<\/em>\u2019<\/strong>da orta ya\u015f bunal\u0131m\u0131na abs\u00fcrd bir kara mizahla bak\u0131yor. Tekd\u00fcze hayat\u0131, ailesi ve dengesiz arkada\u015flar\u0131 y\u00fcz\u00fcnden \u00e7\u0131\u011f\u0131r\u0131ndan \u00e7\u0131kan bir aile babas\u0131n\u0131 oda\u011f\u0131na alan filminde Moll<\/strong>, d\u00fcnyan\u0131n d\u00fczenini \u00f6nceki filmlerindeki gibi bir kez daha al\u0131\u015f\u0131lmad\u0131k y\u00f6nlerden bakarak ele\u015ftiriyor. Berlin Film Festivali\u2019nde yar\u0131\u015fma d\u0131\u015f\u0131 g\u00f6sterilen filmde ba\u015frol Francois Damiens<\/strong>\u2019\u0131n performans\u0131 \u00e7ok be\u011fenildi.<\/p>\r\n

Denizdeki Ate\u015f \/ Fuocoammare \/ Fire at Sea \/ Gianfranco Rosi <\/em><\/strong><\/p>\r\n

Berlin Film Festivali\u2019nin b\u00fcy\u00fck \u00f6d\u00fcl\u00fc Alt\u0131n Ay\u0131\u2019y\u0131 kucaklayan<\/strong> Fire at Sea \/ Denizdeki Ate\u015f,<\/em><\/strong> Avrupa\u2019n\u0131n s\u00fcrekli g\u00f6zard\u0131 etmeye \u00e7al\u0131\u015ft\u0131\u011f\u0131 m\u00fclteci meselesine, \u0130talya\u2019n\u0131n Lampedusa Adas\u0131\u2019ndaki hayata duygusal bir a\u00e7\u0131yla yakla\u015farak bak\u0131yor. Y\u00f6netmen Gianfranco Rosi<\/strong>, bu belgeseli \u00e7ekmek i\u00e7in, \u00f6zellikle Afrika ve Ortado\u011fu\u2019dan y\u00fcz binlerce m\u00fcltecinin Avrupa\u2019ya ula\u015fma amac\u0131yla ilk ad\u0131m\u0131n\u0131 att\u0131\u011f\u0131 Lampedusa adas\u0131nda aylarca ya\u015fad\u0131. Film ayn\u0131 zamanda, g\u00fcn\u00fcm\u00fcz sinemas\u0131n\u0131n politik meseleleri ele al\u0131\u015f bi\u00e7imini sorgulamam\u0131z i\u00e7in bir kap\u0131 aral\u0131yor.<\/p>\r\n

Saraybosna\u2019da \u00d6l\u00fcm \/ Smrt u Sarajevu \/ Death in Sarajevo \/ Danis Tanovi\u0107 <\/em><\/strong><\/p>\r\n

Balkanlar\u0131n en \u00e7ok dikkat \u00e7eken, yarat\u0131c\u0131 y\u00f6netmenlerinden Danis Tanovic<\/strong>\u2019in yeni filmi Death\u00a0in<\/em><\/strong>\u00a0Sarajevo \/ Saraybosna\u2019da \u00d6l\u00fcm<\/em><\/strong>, Berlin Film Festivali\u2019nden iki \u00f6d\u00fclle d\u00f6nd\u00fc: J\u00fcri B\u00fcy\u00fck \u00d6d\u00fcl\u00fc ve FIPRESCI \u00d6d\u00fcl\u00fc. B\u00f6lgenin ac\u0131l\u0131 tarihine bir otel ve m\u00fc\u015fterileri benzetmesiyle yakla\u015fan Saraybosna\u2019da \u00d6l\u00fcm<\/em><\/strong>, 28 Haziran 2014\u2019te, yani Birinci D\u00fcnya Sava\u015f\u0131\u2019n\u0131 ba\u015flatan Ar\u015fid\u00fck Franz Ferdinand suikastinin 100. y\u0131ld\u00f6n\u00fcm\u00fcnde ge\u00e7iyor. Filmde Tanavic<\/strong> s\u00fcr\u00fckleyici sinema diliyle Balkanlarda y\u00fcz y\u0131ld\u0131r s\u00fcregelen kimlik sava\u015f\u0131n\u0131 arka planda i\u015fliyor. Tanovic<\/strong>\u2019in \u0130stanbul Film Festivali FACE \u0130nsan Haklar\u0131 Yar\u0131\u015fmas\u0131\u2019nda J\u00fcri \u00d6zel \u00d6d\u00fcl\u00fc kazanan filmi Bir Hurdac\u0131n\u0131n Hayat\u0131<\/em>, Oscar\u2019a aday g\u00f6sterilmi\u015fti.<\/p>\r\n

Gayrime\u015fru \/ Illegitimate \/ Adrian Sitaru<\/em><\/strong><\/p>\r\n

Oltan\u0131n Ucunda <\/em>ve \u0130yi Niyetler<\/em>\u2019in y\u00f6netmeni Adrian Sitaru<\/strong>, ilk g\u00f6sterimi bu y\u0131l Berlin Film Festivali’nin Forum b\u00f6l\u00fcm\u00fcnde ger\u00e7ekle\u015fen yeni filmi Illegitimate \/ Gayrime\u015fru<\/em><\/strong>\u2019da orta s\u0131n\u0131f bir ailenin i\u00e7ine d\u00fc\u015ft\u00fc\u011f\u00fc ahlaki ikilemi anlat\u0131yor. Sakin ba\u015flayan aile yeme\u011finde evin b\u00fcy\u00fck o\u011flu Cosmo\u2019nun babas\u0131yla ilgili ortaya \u00e7\u0131kard\u0131\u011f\u0131 bir ger\u00e7ek, sert bir tart\u0131\u015fmaya d\u00f6n\u00fc\u015fecektir.<\/p>\r\n

24 Hafta \/ 24 Wochen \/ 24 Weeks \/ Anne Zohra Berrached <\/em><\/strong><\/p>\r\n

Y\u00f6netmen Anne Zohra Berrached\u2019<\/strong>nin 24 Weeks \/ 24 Hafta<\/em><\/strong> filmi k\u00fcrtajla ilgili tart\u0131\u015fmalara al\u0131\u015f\u0131k olmad\u0131\u011f\u0131m\u0131z bir yerden bak\u0131yor. \u00dclkenin en pop\u00fcler komedyenlerinden birisi olan Astrid hamile kald\u0131\u011f\u0131n\u0131 \u00f6\u011frenince bunu kimseden gizlemeyi d\u00fc\u015f\u00fcnmez. Fakat d\u00fcnyaya gelecek \u00e7ocu\u011funun Down sendromlu oldu\u011funu \u00f6\u011frenince bebe\u011fi do\u011furmak ve ald\u0131rmak hakk\u0131nda erkek arkada\u015f\u0131 ve yak\u0131n \u00e7evresiyle tart\u0131\u015fmaya ba\u015flar. \u0130lk g\u00f6sterimini Berlin Film Festivali\u2019nde yapan 24 Hafta<\/em><\/strong>, bu s\u00fcreci hem t\u0131bbi hem de yasal boyutlar\u0131yla adeta bir belgesel gibi seyirciye aktar\u0131yor.<\/p>\r\n

\u00a0<\/strong><\/p>\r\n

GEN\u00c7 USTALAR<\/strong><\/p>\r\n

Gen\u00e7 Ustalar b\u00f6l\u00fcm\u00fcnde ilk ya da ikinci filmlerini \u00e7ekerken d\u00fcnya sinemas\u0131na farkl\u0131 bir soluk getiren, \u00f6zg\u00fcn yakla\u015f\u0131mlar\u0131yla be\u011feni toplayan gen\u00e7 y\u00f6netmenlerin filmleri yer al\u0131yor. NESCAF\u00c9 Gold sponsorlu\u011funda ger\u00e7ekle\u015ftirilen Gen\u00e7 Ustalar b\u00f6l\u00fcm\u00fcndeki filmler uluslararas\u0131 festivallerde dikkat \u00e7eken, gelece\u011fin klasikleri olmaya aday yap\u0131tlardan olu\u015fuyor.<\/strong><\/p>\r\n

Gen\u00e7 Ustalar b\u00f6l\u00fcm\u00fcnde yer alan filmler;<\/u><\/em><\/strong><\/p>\r\n

Topra\u011f\u0131n G\u00f6lgesinde \/ La tierra y la sombra \/ Land and Shade \/ C\u00e9sar Augusto Acevedo <\/em><\/strong><\/p>\r\n

Kolombiyal\u0131 y\u00f6netmen C\u00e9sar Augusto Acevedo<\/strong>\u2019nun Cannes\u2019da en iyi ilk filme verilen Alt\u0131n Kamera dahil d\u00f6rt \u00f6d\u00fcl alan, Mumbai, Selanik, Bratislava, AFI Los Angeles festivallerinden de \u00f6d\u00fcl kazanan filmi Land and Shade \/ Topra\u011f\u0131n G\u00f6lgesinde<\/em><\/strong>, ciddi bir hastal\u0131\u011fa yakalanan o\u011fluna bakmak \u00fczere terk etti\u011fi evine 17 y\u0131l sonra d\u00f6nen bir \u00e7ift\u00e7iyi izliyor. \u00d6zellikle birer tablo gibi \u00e7izilmi\u015f kompozisyonlar\u0131yla g\u00f6sterildi\u011fi festivallerde seyircinin i\u00e7ine i\u015fleyen filmi Topra\u011f\u0131n G\u00f6lgesinde <\/em><\/strong>dingin bir Latin Amerika alegorisi. Y\u00f6netmen Acevedo, filmin temel fikrini kendi ailesiyle ya\u015fad\u0131klar\u0131ndan yola \u00e7\u0131karak, \u201cunutu\u015fa kar\u015f\u0131 koymak \u00fczere\u201d olu\u015fturdu. Acevedo, \u00fclkesi Kolombiya\u2019n\u0131n tarihe, haf\u0131zaya ve ulusal kimli\u011fe ra\u011fmen ge\u00e7irmekte oldu\u011fu h\u0131zl\u0131 geli\u015fim s\u00fcrecine de filmde sinemasal bir dille de\u011finiyor. Filme ad\u0131n\u0131 veren \u201cToprak\u201d, ait oldu\u011fumuz, k\u00f6klerimizin yer ald\u0131\u011f\u0131 ge\u00e7mi\u015fimizi; \u201cG\u00f6lge\u201d ise an\u0131lar\u0131m\u0131z\u0131 simgeliyor.<\/p>\r\n

Kara Tavuk \/ Kalo pothi \/ The Black Hen \/ Min Bahadur Bham<\/em><\/strong><\/p>\r\n

Ba\u015far\u0131l\u0131 k\u0131sa filmleriyle tan\u0131nan Min Bahadur Bham<\/strong>\u2019\u0131n ilk uzun metrajl\u0131 filmi olan The Black Hen \/ Kara Tavuk<\/em><\/strong>, y\u00f6netmenin b\u00fcy\u00fcd\u00fc\u011f\u00fc Nepal\u2019in kuzeyinde bir k\u00f6yde ge\u00e7iyor. 12 ya\u015f\u0131ndaki iki \u00e7ok iyi arkada\u015f ve bulduklar\u0131 bir tavuk \u00fczerinden Nepal\u2019in 2001 y\u0131l\u0131ndaki i\u00e7 sava\u015f s\u0131ras\u0131ndaki politik ve sosyal durumunu g\u00f6zler \u00f6n\u00fcne seren film, Venedik Ele\u015ftirmenler Haftas\u0131\u2019nda FEDEORA En \u0130yi Film \u00f6d\u00fcl\u00fcn\u00fc ald\u0131. Ba\u015fta \u00e7ocuk oyuncular olmak \u00fczere filmin oyuncular\u0131n\u0131n t\u00fcm\u00fc amat\u00f6r. Filmde konu\u015fulan Nepalce leh\u00e7esi, oyuncular\u0131n da anadili de\u011fildi ve bu leh\u00e7eyi \u00f6\u011frenmek zorunda kald\u0131lar. Nepal Edebiyat\u0131, Sinema ve ard\u0131ndan Budist Felsefesi ve Siyasal Bilgiler \u00f6\u011frenimi g\u00f6ren y\u00f6netmen Min Bahadur Bham<\/strong>\u2019\u0131n bu ilk uzun metrajl\u0131 filmi, Venedik Film Festivali\u2019nde g\u00f6sterilen Nepal yap\u0131m\u0131 ilk uzun metrajl\u0131 film oldu.<\/p>\r\n

Dolaptaki Canavar \/ Closet Monster \/ Stephen Dunn <\/em><\/strong><\/p>\r\n

1989 do\u011fumlu y\u00f6netmen Stephen Dunn<\/strong>\u2019\u0131n ilk uzun metrajl\u0131 filmi Closet Monster \/ Dolaptaki Canavar, <\/em><\/strong>stilize bir g\u00f6rselli\u011fe ve dinamik bir soundtrack\u2019e sahip olan bir b\u00fcy\u00fcme ve \u201cdolaptan \u00e7\u0131kma\u201d filmi. Film, en yak\u0131n arkada\u015f\u0131 bir hemst\u0131r olan Oscar\u2019\u0131n hem cinsel kimli\u011fiyle bar\u0131\u015fmas\u0131n\u0131 hem de ailesiyle ve ge\u00e7mi\u015fiyle ba\u015fa \u00e7\u0131kmas\u0131n\u0131 konu al\u0131yor. Dolaptaki Canavar<\/em><\/strong>, ilk g\u00f6sterimini yapt\u0131\u011f\u0131 Toronto\u2019da En \u0130yi Kanada Filmi \u00f6d\u00fcl\u00fc ald\u0131. Filmdeki hemst\u0131r Buffy\u2019yi \u00fcnl\u00fc oyuncu Isabella Rossellini<\/strong> seslendiriyor. Filmde Oscar\u2019\u0131 canland\u0131ran Connor Jessup<\/strong>\u2019\u0131 Falling Skies<\/em> adl\u0131 diziden ve festivalde de g\u00f6sterilen Blackbird<\/em> (2012) filminden tan\u0131yoruz. Kendi hayat\u0131ndan bir\u00e7ok \u00f6\u011fe ta\u015f\u0131yan filmin senaryosunun t\u00fcm\u00fcn\u00fc Stephen Dunn<\/strong> Toronto \u00dcniversitesi\u2019nin k\u00fct\u00fcphanesinde yazm\u0131\u015f.<\/p>\r\n

Yolculuk \/ Viaje \/ Paz F\u00e1brega <\/em><\/strong><\/p>\r\n

Paz F\u00e1brega<\/strong>\u2019n\u0131n Kosta Rika ormanlar\u0131nda ge\u00e7en siyah-beyaz filmi Viaje \/ Yolculuk<\/em><\/strong>, iki ba\u015fkarakterinin i\u00e7tenli\u011fiyle yo\u011frulmu\u015f, co\u015fkulu ve modern bir a\u015fk filmi. Luciana ve Pedro, bir partide hi\u00e7 de romantik olmayan bir \u015fekilde tan\u0131\u015f\u0131rlar. O an b\u00fcy\u00fclenmemi\u015f olsalar da birbirlerinin g\u00f6z\u00fcn\u00fcn i\u00e7ine bakt\u0131klar\u0131nda isteseler de farkl\u0131 yollara gidemeyeceklerinin de fark\u0131na var\u0131rlar ve birlikte orman\u0131n derinliklerine do\u011fru \u00fc\u00e7 haftal\u0131k bir geziye \u00e7\u0131karlar. Pedro rol\u00fcndeki Fernando Bola\u00f1os, tiyatro, sinema ve televizyonda oyunculuk ve y\u00f6netmenlik yapman\u0131n yan\u0131 s\u0131ra yoga e\u011fitmenli\u011fini de s\u00fcrd\u00fcr\u00fcyor. Luciana rol\u00fcndeki Kattia Gonzalez ise fizik tedavi uzmanl\u0131\u011f\u0131 ve modern dans e\u011fitiminin ard\u0131ndan \u00e7e\u015fitli projelerde y\u00f6netmenlik, yap\u0131mc\u0131l\u0131k ve oyunculuk yapt\u0131. Polonya Tofifest\u2019te Gen\u00e7lik J\u00fcrisi \u00d6d\u00fcl\u00fc kazanan Yolculuk<\/em><\/strong>, Kosta Rikal\u0131 kad\u0131n y\u00f6netmen Paz F\u00e1brega<\/strong>\u2019n\u0131n ikinci uzun metrajl\u0131 filmi.<\/p>\r\n

Da\u011f \/ Ha’har \/ Mountain \/ Yaelle Kayam<\/em><\/strong><\/p>\r\n

D\u00fcnya pr\u00f6miyerini Venedik Film Festivali\u2019nin Ufuklar b\u00f6l\u00fcm\u00fcnde yapan Mountain \/ Da\u011f<\/em><\/strong>, Kud\u00fcs\u2019te \u00e7ok eski bir Yahudi mezarl\u0131\u011f\u0131n\u0131n yer ald\u0131\u011f\u0131 Zeytin Da\u011f\u0131\u2019nda ge\u00e7iyor. Ortodoks Yahudisi dindar bir kad\u0131n olan Tzvia\u2019n\u0131n d\u00f6rt \u00e7ocu\u011fu, kocas\u0131 ve ev i\u015fleri aras\u0131na s\u0131k\u0131\u015fm\u0131\u015f bir hayat\u0131 vard\u0131r. Tzvia, \u00e7ocuklar okulda, kocas\u0131 i\u015fteyken mezarl\u0131kta y\u00fcr\u00fcy\u00fc\u015fe \u00e7\u0131kar. Bir gece, bir kad\u0131nla bir erke\u011fin mezarl\u0131kta sevi\u015fmesine tan\u0131k olur. Bu rahats\u0131z edici manzara kar\u015f\u0131s\u0131nda \u015fok olsa da daha \u00e7ok ke\u015ffetme arzusuyla g\u00fcnl\u00fck rutinin yan\u0131nda y\u00fcr\u00fcy\u00fc\u015flerine devam eder. B\u00f6ylece Da\u011f’\u0131n \u00f6teki y\u00fcz\u00fcn\u00fc ke\u015ffeden kad\u0131n\u0131n de\u011fi\u015fimi de ba\u015flam\u0131\u015f olur. Da\u011f<\/em><\/strong>, mek\u00e2n\u0131n ruhunu yakalay\u0131\u015f\u0131 ve odakland\u0131\u011f\u0131 kad\u0131n karakteri i\u015flemedeki ba\u015far\u0131s\u0131yla \u00f6vg\u00fc toplayan bir ilk film.<\/p>\r\n

Neon Bo\u011fa \/ Boi Neon \/ Neon Bull \/ Gabriel Mascaro<\/em><\/strong><\/p>\r\n

Venedik ve ard\u0131ndan Toronto film festivallerinde g\u00f6sterimlerinin ard\u0131ndan, Venedik, Rio, Nantes, Hamburg, Marake\u015f film festivallerinde \u00f6d\u00fcller kazanan Neon Bull<\/em><\/strong> \/ Neon Bo\u011fa<\/em><\/strong>,<\/em><\/strong> Gen\u00e7 Ustalar b\u00f6l\u00fcm\u00fcnde. Y\u00f6netmen Gabriel Mascaro<\/strong>\u2019nun b\u00fcy\u00fcl\u00fc ger\u00e7ekli\u011fe do\u011fru kayan ikinci filmi Neon Bo\u011fa<\/em><\/strong>, insanlarla hayvanlar aras\u0131ndaki ili\u015fkiyi incelikle aktar\u0131yor. Erkeklik, cinsellik, s\u0131n\u0131f ayr\u0131m\u0131 gibi olgulara de\u011finen Neon Bo\u011fa<\/em><\/strong>, Brezilya\u2019n\u0131n kuzeydo\u011fusunda geleneksel rodeo yar\u0131\u015flar\u0131n\u0131n yap\u0131ld\u0131\u011f\u0131 bir \u00e7iftlikte ge\u00e7iyor.<\/p>\r\n

Yeralt\u0131 Kokusu \/ Underground Fragrance \/ Song Peng Fei<\/em><\/strong><\/p>\r\n

Song Peng Fei<\/strong> ilk g\u00f6sterimi Venedik G\u00fcnleri\u2019nde ger\u00e7ekle\u015fen Underground Fragrance \/ Yeralt\u0131 Kokusu<\/em> <\/strong>filminde \u00f6zellikle mek\u00e2n\u0131 ba\u015far\u0131yla kullanarak, etkileyici ve klostrofobik bir Beijing resmi \u00e7iziyor. Filmde hipermodern metropoller aras\u0131nda \u00f6nde gelen Pekin\u2019in kentsel d\u00f6n\u00fc\u015f\u00fcm alanlar\u0131nda \u00fc\u00e7 farkl\u0131 ki\u015finin hayatlar\u0131n\u0131n ortak mek\u00e2nlar arac\u0131l\u0131\u011f\u0131yla kesi\u015fmesi konu al\u0131n\u0131yor. Yeralt\u0131 Kokusu, <\/em><\/strong>Venedik G\u00fcnlerinde FEDEORA \u00f6d\u00fcl\u00fc ve Chicago\u2019da da En \u0130yi Film \u00d6d\u00fcl\u00fc ald\u0131. Beijing\u2019de do\u011fan ve Paris\u2019te sinema \u00f6\u011frenimi g\u00f6ren Song Peng Fei<\/strong>, daha \u00f6nce \u00e7ekti\u011fi \u00fc\u00e7 k\u0131sa filmiyle de tan\u0131n\u0131yor. Zheng Juli\u2019nin \u015eangay\u2019da ge\u00e7en Kargalar ve Ser\u00e7eler<\/em> adl\u0131 1949 tarihli klasik filmini an\u0131msatan Yeralt\u0131 Kokusu,<\/em><\/strong> y\u00f6netmenin ilk uzun metrajl\u0131 filmi. Filmin \u00e7\u0131k\u0131\u015f noktas\u0131 ise y\u00f6netmenin yurtd\u0131\u015f\u0131nda \u00f6\u011frenim g\u00f6rd\u00fckten sonra memleketine d\u00f6nd\u00fc\u011f\u00fcnde kar\u015f\u0131la\u015ft\u0131\u011f\u0131 d\u00f6n\u00fc\u015f\u00fcm\u00fcn h\u0131z\u0131, kentin \u201cyer alt\u0131\u201d yerle\u015fimleri ve s\u00fcrekli \u201cy\u0131k\u0131m\u201d ve \u201cyeniden yerle\u015ftirme\u201d s\u00f6zc\u00fckleriyle i\u00e7 i\u00e7e ya\u015fayan halk. 2008\u2019de Face \/ Surat<\/em> ve 2012\u2019de Walker<\/em> filmlerinde Tayvanl\u0131 usta y\u00f6netmen Tsai Ming-liang\u2019\u0131n yard\u0131mc\u0131 y\u00f6netmenli\u011fini y\u00fcr\u00fcten Peng Fei<\/strong>, esin kaynaklar\u0131 aras\u0131nda Tsai Ming-liang\u2019\u0131n kent tasvirleri ile Filistinli Elia Suleiman\u2019\u0131n Divine Intervention \/ Kutsal Direni\u015f<\/em> filmini belirtiyor.<\/p>\r\n

Karar Kimin? \/ Keeper \/ Guillaume Senez<\/em><\/strong><\/p>\r\n

Y\u00f6netmen Guillaume Senez<\/strong>, ilk uzun metrajl\u0131 filmi Keeper \/ Karar Kimin?<\/em><\/strong>\u2019de 15 ya\u015f\u0131ndaki iki gencin b\u00fcy\u00fcme sanc\u0131lar\u0131n\u0131 yal\u0131n ve etkileyici bir sinema diliyle i\u015fliyor. Film, ergen gebeli\u011fine erke\u011fin bak\u0131\u015f a\u00e7\u0131s\u0131ndan bakmas\u0131, bulu\u011f \u00e7a\u011f\u0131n\u0131n \u00e7alkant\u0131lar\u0131n\u0131 karikat\u00fcrize etmeden anlatmas\u0131 ve iki gen\u00e7 oyuncunun performanslar\u0131yla dikkat \u00e7ekiyor. Y\u00f6netmen Senez<\/strong>\u2019e Hamburg\u2019ta Gen\u00e7 Yetenek \u00d6d\u00fcl\u00fc getiren film Locarno\u2019da da En \u0130yi Avrupa filmi se\u00e7ildi; Bienne, Namur, Var\u015fova, Torino, Marake\u015f film festivallerinde de \u00f6d\u00fcller ald\u0131.<\/p>\r\n

Ayr\u0131l\u0131\u015f \/ Departure \/ Andrew Steggall <\/em><\/strong><\/p>\r\n

Pr\u00f6miyeri Londra Film Festivali’nde ger\u00e7ekle\u015fen ve olumlu ele\u015ftiriler toplayan Andrew Steggall<\/strong>\u2019\u0131n ilk filmi\r\nDeparture \/ Ayr\u0131l\u0131\u015f,<\/em><\/strong> dokunakl\u0131 ve nostaljik bir b\u00fcy\u00fcme \u00f6yk\u00fcs\u00fcn\u00fc konu al\u0131yor. 15 ya\u015f\u0131ndaki edebiyat tutkunu Elliot, annesi Beatrice ile Fransa’n\u0131n g\u00fcneyindeki yazl\u0131k evlerine gelir. Evi bo\u015faltmak i\u00e7in yap\u0131lan bu yolculuk delikanl\u0131n\u0131n hayat\u0131nda bir d\u00f6n\u00fcm noktas\u0131 olur. Elliot hem ailesindeki sorunlara tan\u0131kl\u0131k eder hem de ilk kez \u00e2\u015f\u0131k olarak e\u015fcinselli\u011fini ke\u015ffeder. Ge\u00e7ti\u011fimiz y\u0131l Enigma<\/em>‘da Alan Turing’in \u00e7ocuklu\u011funu canland\u0131ran Alex Lawther<\/strong>, ilk ba\u015frol\u00fcnde iddial\u0131 bir \u00e7\u0131k\u0131\u015f yap\u0131yor. Lawther, Britanya Sinema Akademisi BAFTA\u2019n\u0131n 2015 i\u00e7in ilan etti\u011fi \u201c15 yeni yetenek\u201dten biri. Dvorak\u2019\u0131n Rusalka<\/em> operas\u0131ndan esinlenen Filmin \u00e7ekimleri de Fransa\u2019n\u0131n g\u00fcneyinde, Cenne Monesties k\u00f6y\u00fcnde yap\u0131ld\u0131.<\/p>\r\n

Keder \/ Banat (Il Viaggio) \/ Adriano Valerio<\/em><\/strong><\/p>\r\n

\u0130talyan y\u00f6netmen Adriano Valerio<\/strong> ilk uzun metrajl\u0131 filmi Banat (Il Viaggio) \/ Keder<\/em><\/strong>\u2019de ekonomik krizde ayakta kalma m\u00fccadelesi veren bir neslin portresini \u00e7iziyor. Venedik Film Festivali\u2019nde Ele\u015ftirmenler Haftas\u0131 b\u00f6l\u00fcm\u00fcnde yer alan film, kara mizah\u0131 ihmal etmeden, g\u00fc\u00e7l\u00fc ve sa\u011flam bir sinema diliyle iki karakter \u00fczerinden g\u00fcn\u00fcm\u00fcz Avrupa\u2019s\u0131n\u0131n gen\u00e7 neslinin sorunlar\u0131n\u0131 i\u015fliyor. Hukuk \u00f6\u011freniminin ard\u0131ndan sinema okuyan Valerio<\/strong>\u2019nun k\u0131sa filmi 37\u00b04 S<\/em>, 2013\u2019te Cannes Film Festivali\u2019nden mansiyona de\u011fer bulunmu\u015ftu. \u0130talya\u2019dan ba\u015flayarak Romanya\u2019ya ge\u00e7en Keder<\/em><\/strong>, \u201cyabanc\u0131la\u015fma\u201d kavram\u0131ndan yola \u00e7\u0131karak \u0130talya\u2019da aile, kilise gibi \u201c\u00e7ekirdek\u201d kurumlar\u0131n \u00e7\u00f6k\u00fc\u015f\u00fcyle y\u00f6n\u00fcn\u00fc \u015fa\u015f\u0131ran gen\u00e7 yeti\u015fkinlerin hik\u00e2yesini i\u015fliyor.<\/p>\r\n

Bundan Sonra \/ Efterskalv \/ The Here After \/ Magnus von Horn <\/em><\/strong><\/p>\r\n

D\u00fcnya pr\u00f6miyerini ge\u00e7ti\u011fimiz y\u0131l Cannes\u2019da, Y\u00f6netmenlerin On Be\u015f G\u00fcn\u00fc b\u00f6l\u00fcm\u00fcnde yapan ve bolca \u00f6vg\u00fc alan Magnus von Horn<\/strong> imzal\u0131 The Here After \/ Bundan Sonra<\/em><\/strong>, son d\u00f6nemde \u0130sve\u00e7\u2019ten \u00e7\u0131km\u0131\u015f en heyecan verici ilk filmlerden biri. Eski k\u0131z arkada\u015f\u0131n\u0131 \u00f6ld\u00fcren John hapishanede ge\u00e7en y\u0131llar\u0131ndan ard\u0131ndan ailesine geri d\u00f6nmek ve yeni bir hayata ba\u015flamak i\u00e7in can atmaktad\u0131r. Ancak aras\u0131na kar\u0131\u015fmak istedi\u011fi kalabal\u0131k John\u2019dan yana de\u011fildir.<\/p>\r\n

A\u011fabeylerimin Bana \u00d6\u011fretti\u011fi \u015eark\u0131lar \/ Songs My Brothers Taught Me \/ Chlo\u00e9 Zao <\/em><\/strong><\/p>\r\n

Yap\u0131mc\u0131lar\u0131 aras\u0131nda Amerikal\u0131 \u00fcnl\u00fc oyuncu Forest Whitaker<\/strong>\u2019\u0131n da yer ald\u0131\u011f\u0131 Chlo\u00e9 Zhao<\/strong>\u2019nun ilk filmi Songs My Brothers Taught Me \/ A\u011fabeylerimin Bana \u00d6\u011fretti\u011fi \u015eark\u0131lar<\/em><\/strong>, Amerika ba\u011f\u0131ms\u0131z sinemas\u0131na kaybetti\u011fi ruhu geri getirdi\u011fi i\u00e7in alk\u0131\u015f toplad\u0131. G\u00fcney Dakota\u2019daki Amerika yerlilerine tahsis edilen Pine Ridge yerle\u015fim b\u00f6lgesinde ge\u00e7en film, bir a\u011fabey ile k\u0131z karde\u015fi aras\u0131ndaki ba\u011f\u0131 i\u015flerken, yuvay\u0131 terk edip edememek sorusu \u00fczerinde duruyor. Filmin ge\u00e7ti\u011fi b\u00f6lgede d\u00f6rt y\u0131l ya\u015fayan y\u00f6netmen Zhao<\/strong>, melankolik bir aile hik\u00e2yesini g\u00fczel g\u00f6r\u00fcnt\u00fcler e\u015fli\u011finde \u015fiirsel bir dille anlat\u0131yor. Film, ayr\u0131ca bu \u00f6zel b\u00f6lgedeki Lakota Amerika yerlileri toplulu\u011funun dinamikleri ve sosyal ili\u015fkilerini de g\u00f6zler \u00f6n\u00fcne seriyor. \u0130lk g\u00f6sterimi Sundance\u2019te, uluslararas\u0131 pr\u00f6miyeri ise Cannes Film Festivali Y\u00f6netmenlerin On Be\u015f G\u00fcn\u00fc B\u00f6l\u00fcm\u00fc\u2019nde yap\u0131lan film Kud\u00fcs Film Festivali\u2019nde FIPRESCI En \u0130yi \u0130lk Film \u00d6d\u00fcl\u00fc\u2019n\u00fc, Mumbai\u2019de ise En \u0130yi Senaryo \u00d6d\u00fcl\u00fc kazand\u0131. Beijing do\u011fumlu y\u00f6netmen Chlo\u00e9 Zao, filmi \u00e7ekerken \u201ctek bildi\u011finiz yeri nas\u0131l terk edersiniz\u201d sorusundan yola \u00e7\u0131km\u0131\u015f.<\/p>\r\n

NTV BELGESEL KU\u015eA\u011eI<\/strong><\/p>\r\n

Foto\u011fraf\u00e7\u0131l\u0131ktan, toplumsal krizlere, sinemadan siyasete, m\u00fczikten enerjiye, kapitalizmden sava\u015flara, futboldan aile i\u00e7i tacize, casusluktan spora d\u00fcnyan\u0131n d\u00f6rt bir yan\u0131ndan 14 belgesel 20 y\u0131ld\u0131r k\u00fclt\u00fcr sanata destek veren ve 11. kez NTV\u2019nin sponsorlu\u011funu \u00fcstlendi\u011fi NTV Belgesel Ku\u015fa\u011f\u0131nda izleyicilerle bulu\u015facak. <\/strong><\/p>\r\n

NTV Belgesel Ku\u015fa\u011f\u0131 b\u00f6l\u00fcm\u00fcnde yer alan filmler;<\/u><\/em><\/strong><\/p>\r\n

B\u00fcy\u00fckbabam Allende \/ Allende, mi abuelo Allende \/ Beyond My Grandfather Allende \/ Marcia Tambutti Allende<\/em><\/strong><\/p>\r\n

Marcia Tambutti Allende<\/strong>, b\u00fcy\u00fckbabas\u0131 Salvador Allende\u2019yi gayrime\u015fru bir \u015fekilde iktidardan indiren darbeden 35 y\u0131l sonra ailesinin konu\u015fmama gelene\u011fini y\u0131kmak isteyen bir kad\u0131n. Marcia<\/strong> nihai bir amac\u0131n pe\u015finde, trajik an\u0131larla ba\u015f etmenin zaman\u0131n\u0131n geldi\u011fine, ge\u00e7mi\u015fin \u00fczerindeki \u00f6rt\u00fcy\u00fc kald\u0131rmak gerekti\u011fine inan\u0131yor ve \u015eili\u2019ye geri d\u00f6n\u00fcyor. Marcia Tambutti Allende<\/strong>\u2019nin aile tarihine epeyce i\u00e7eriden bir bak\u0131\u015fla e\u011fildi\u011fi belgeseli Beyond My Grandfather Allende \/ B\u00fcy\u00fckbabam Allende<\/em><\/strong>, bir taraf\u0131yla ki\u015fisel, bir di\u011fer taraf\u0131yla toplumsal bir belgesel.<\/p>\r\n

\u00a0<\/em><\/strong><\/p>\r\n

De Palma \/ Noah Baumbach, Jake Paltrow<\/em><\/strong><\/p>\r\n

Carrie, Dressed to Kill, Blow Out, Scarface, Body Double, The Untouchables, Carlito’s Way, Femme Fatale <\/em>gibi filmlerin ya\u015farken efsanele\u015fen y\u00f6netmeni Brian De Palma\u2019n\u0131n \u015fahs\u0131na m\u00fcnhas\u0131r sinemas\u0131na heyecan verici bir bak\u0131\u015f. S\u0131rad\u0131\u015f\u0131 kariyeriyle kendi ku\u015fa\u011f\u0131ndaki bir\u00e7ok isimden ayr\u0131lan\u00a0Brian De Palma, Noah Baumbach<\/strong> ile Jake Paltrow<\/strong>\u2019un kar\u015f\u0131s\u0131na ge\u00e7iyor ve 29 uzun metrajl\u0131 filmini, k\u0131salar\u0131n\u0131 ve ger\u00e7ekle\u015femeyen projelerini a\u00e7\u0131k s\u00f6zl\u00fcl\u00fckle tart\u0131\u015f\u0131yor. De Palma’n\u0131n ak\u0131l almaz mizansenlerinin s\u0131rlar\u0131ndan, film teorisine ve set an\u0131lar\u0131na uzana sohbete, e\u015fsiz filmlerinden sahneler e\u015flik ediyor.\u00a0De Palma<\/em><\/strong>, y\u00f6netmenin hayranlar\u0131 ve sinefiller d\u0131\u015f\u0131nda kendisine yabanc\u0131 olan seyircileri de i\u00e7ine alabilecek kadar s\u00fcr\u00fckleyici bir belgesel.<\/p>\r\n

\u00a0<\/em><\/strong><\/p>\r\n

Ben, Ingrid \/ Jag \u00e4r Ingrid \/ Ingrid Bergman in Her Own Words \/ Stig Bj\u00f6rkman <\/em><\/strong><\/p>\r\n

Sineman\u0131n gelmi\u015f ge\u00e7mi\u015f en b\u00fcy\u00fcl\u00fc y\u0131ld\u0131zlar\u0131ndan Ingrid Bergman<\/strong>\u2019\u0131n \u00e7ocuklu\u011fundan \u00f6l\u00fcm\u00fcne \u00f6zel hayat\u0131na odaklanan Ingrid Bergman in Her Own Words \/ Ben, Ingrid<\/em><\/strong>, ele\u015ftirmen ve y\u00f6netmen Stig Bj\u00f6rkman\u2019<\/strong>\u0131n imzas\u0131n\u0131 ta\u015f\u0131yor. Bergman\u2019\u0131n k\u0131z\u0131 Isabella Rossellini\u2019nin iste\u011fiyle hayata ge\u00e7irilen proje, g\u00fcnl\u00fckleri, mektuplar\u0131, aile foto\u011fraflar\u0131 ve evde \u00e7ekilmi\u015f videolardan yararlanarak y\u0131ld\u0131z oyuncuyla izleyici aras\u0131nda yak\u0131n bir ili\u015fki kuruyor. B\u00fcy\u00fck \u00f6vg\u00fc toplayan belgesel, izleyicisine sineman\u0131n bu karizmatik y\u0131ld\u0131z\u0131n\u0131n gizemini \u00e7\u00f6zme, onu sadece oyunculuk yetenekleriyle de\u011fil, modern, g\u00fc\u00e7l\u00fc ve ba\u011f\u0131ms\u0131z bir kad\u0131n olarak takdir etme imk\u00e2n\u0131 sunuyor. Filmde \u00fc\u00e7 kez Oscar kazanan Ingrid Bergman\u2019\u0131n \u0130sve\u00e7\u2019teki hayat\u0131, ilk oyunculuk g\u00fcnleri, evlilikleri, farkl\u0131 \u00fclkelerdeki parlak kariyeri, Hitchcock\u2019tan Rossellini\u2019ye \u00fcnl\u00fc y\u00f6netmenlerle i\u015fbirlikleri, hayata ve sanata dair d\u00fc\u015f\u00fcnceleri hem kendi sesinden r\u00f6portajlar\u0131, hem de kendi g\u00fcncelerinden \u0130sve\u00e7 as\u0131ll\u0131, Oscar\u2019l\u0131 oyuncu Alicia Vikander\u2019in seslendirmesiyle ekrana geliyor. Ben, Ingrid<\/em><\/strong>, ilk g\u00f6sterimini Cannes Film Festivali\u2019nde Klasikler b\u00f6l\u00fcm\u00fcnde yapt\u0131. Sinema hakk\u0131nda filmler \u00e7ekmi\u015f olan y\u00f6netmen Stig Bj\u00f6rkman ayn\u0131 zamanda Ingmar Bergman, Woody Allen, Joyce Carol Oates hakk\u0131nda kitaplar yay\u0131nlam\u0131\u015f, y\u0131llarca \u0130sve\u00e7 sinema dergisi Chaplin\u2019in de yay\u0131n y\u00f6netmenli\u011fini y\u00fcr\u00fctm\u00fc\u015f bir yazar.<\/p>\r\n

Lampedusa\u2019da K\u0131\u015f \/ Lampedusa in Winter \/ Jakob Brossmann <\/em><\/strong><\/p>\r\n

Jakob Brossmann<\/strong>, ilk uzun metrajl\u0131 belgeseli Lampedusa in Winter \/ Lampedusa\u2019da K\u0131\u015f<\/em><\/strong>\u2019ta \u00f6l\u00fcm\u00fc ya\u015fama ba\u011flamakla m\u00fckellef Afrika\u2019ya en yak\u0131n \u0130talyan adas\u0131n\u0131n, ya\u015fama ve adaya tutunmaya \u00e7abalayan m\u00fcltecilerin ve onlarla b\u00fcy\u00fck bir dayan\u0131\u015fma i\u00e7erisinde olan ada insan\u0131n\u0131n hik\u00e2yesini anlat\u0131yor. Afrika ve Avrupa aras\u0131nda bir basamak olan Lampedusa adas\u0131 turistlerin terk etti\u011fi, m\u00fcltecilerin kendini kabul ettirmek istedi\u011fi bir kara par\u00e7as\u0131. Lampedusa\u2019da K\u0131\u015f<\/em><\/strong>, hem s\u0131\u011f\u0131nmac\u0131n\u0131n hem de adan\u0131n yaln\u0131zl\u0131\u011f\u0131na yak\u0131lan bir a\u011f\u0131t.<\/p>\r\n

Ben Belfast\u2019\u0131m \/ I Am Belfast \/ Mark Cousins<\/em><\/strong><\/p>\r\n

\u00dcnl\u00fc The Story of Film: An Odyssey \/ Sineman\u0131n Hik\u00e2yesi<\/em> belgeselinde 15 saat boyunca sineman\u0131n tarih\u00e7esini anlatan Mark Cousins<\/strong> bu kez anlatmaktan ziyade \u201cdinleyen\u201d belgeselinde Kuzey \u0130rlanda\u2019n\u0131n ba\u015fkenti, kendi memleketi Belfast\u2019a ge\u00e7iyor. I am Belfast \/ Ben Belfast\u2019\u0131m<\/em><\/strong>\u2019\u0131n bir turistin g\u00f6z ard\u0131 edece\u011fi yollardan y\u00fcr\u00fcyen ve kentin kendisi oldu\u011fu s\u00f6yleyen 10.000 ya\u015f\u0131ndaki bir kad\u0131n\u0131 dinliyor ve takip ediyor. Ben Belfast\u2019\u0131m, <\/em><\/strong>bir hat\u0131rlay\u0131\u015f\u0131n postmodern belgeseli, metaforlarla dolu bir makale, bir kente hitaben yaz\u0131lm\u0131\u015f bir a\u015fk mektubu. Filmin m\u00fczikleri Belfast\u2019l\u0131 DJ ve besteci David Holmes<\/strong>\u2019a ait; g\u00f6r\u00fcnt\u00fc y\u00f6netmeni ise efsane Christopher Doyle<\/strong>.<\/p>\r\n

Vatan\u0131m \/ Homeland (Iraq Year Zero) \/ Abbas Fahdel<\/em><\/strong><\/p>\r\n

Fransa\u2019da ya\u015fayan Irakl\u0131 sinemac\u0131 Abbas Fahdel<\/strong>, ABD i\u015fgalinden bir y\u0131l \u00f6nce Ba\u011fdat\u2019a giderek ailesinin g\u00fcndelik ya\u015fam\u0131n\u0131 kaydetmeye ba\u015flad\u0131 ve 2003\u2019te ABD Irak\u2019\u0131 i\u015fgal etti\u011finde ise ailenin hayat\u0131n\u0131n nas\u0131l de\u011fi\u015fti\u011fini, ya\u015fanan trajik kay\u0131plar\u0131, ak\u0131p giden ya\u015fam\u0131n sava\u015f hatt\u0131na d\u00f6n\u00fc\u015fmesi s\u00fcrecini Homeland \/ Vatan\u0131m<\/em><\/strong> ile belgeledi. Vatan\u0131m,<\/em><\/strong> Irak\u2019ta neler ya\u015fand\u0131\u011f\u0131n\u0131 halk\u0131n g\u00f6z\u00fcnden g\u00f6steren, Ortado\u011fu\u2019yu anlamak i\u00e7in rehberlik g\u00f6revi \u00fcstlenen ve izleyiciyi ajans b\u00fcltenlerinde say\u0131larla ifade edilen Irakl\u0131lar\u0131n ger\u00e7ek trajedileriyle y\u00fczle\u015ftiren \u00f6nemli bir belgesel. Halen Fransa\u2019da ya\u015fayan y\u00f6netmen Abbas Fahdel<\/strong>\u2019in filmi \u00e7ekmek i\u00e7in \u00e7\u0131k\u0131\u015f noktas\u0131, e\u011fer \u00e7ocuklu\u011funu ge\u00e7irdi\u011fi Irak\u2019ta kalsayd\u0131 ba\u015f\u0131na neler gelebilece\u011fini ara\u015ft\u0131rmak ve gen\u00e7li\u011finin \u201ckay\u0131p\u201d Irak\u2019\u0131n\u0131, tan\u0131d\u0131k y\u00fczleri ve mek\u00e2nlar\u0131 yeniden g\u00f6rebilmek. \u201cD\u00fc\u015f\u00fc\u015ften \u00d6nce\u201d ve \u201cMuharebeden Sonra\u201d ba\u015fl\u0131kl\u0131 iki b\u00f6l\u00fcmden olu\u015fan film, Visons du Reel, Locarno, Yamagata, Montreal, Kartaca, Milano film festivallerinde \u00f6d\u00fcllendirildi.<\/p>\r\n

\u00a0<\/em><\/strong><\/p>\r\n

Steve Jobs: Makine De\u011fil \u0130nsan \/ Steve Jobs: The Man in the Machine \/ Alex Gibney <\/em><\/strong><\/p>\r\n

Amerika\u2019n\u0131n en \u00fcretken belgeselcilerinden Alex Gibney<\/strong>, Steve Jobs: Tne Man in the Machine \/ Steve Jobs: Makine De\u011fil \u0130nsan <\/em><\/strong>belgeseliyle, modern zamanlar\u0131n en b\u00fcy\u00fck ikonlar\u0131ndan birini etrafl\u0131 bir ki\u015filik incelemesi yap\u0131yor. Gibney<\/strong>, Jobs hakk\u0131ndaki \u201cD\u00fcnyay\u0131 de\u011fi\u015ftirmi\u015f bu adam ger\u00e7ekte kim?\u201d, \u201cTeknoloji \u00e7a\u011f\u0131n\u0131n yeni nesil Einstein\u2019\u0131 m\u0131 yoksa kapitalizmin bir halka ili\u015fkiler balonu mu?\u201d, \u201cBir\u00e7ok ki\u015finin s\u00f6yledi\u011fi gibi fren pedal\u0131 olmayan, a\u00e7g\u00f6zl\u00fc bir zorba m\u0131 yoksa muhakeme y\u00f6ntemlerine sayg\u0131 g\u00f6sterilmesi gereken duygusal bir dahi mi?\u201d sorular\u0131n\u0131n cevab\u0131n\u0131 ar\u0131yor.<\/p>\r\n

\u00a0<\/em><\/strong><\/p>\r\n

Evimin Avlusu \/ El patio de mi casa \/ No Place Like Home<\/em><\/strong> \/ Carlos Hagerman<\/em><\/strong><\/p>\r\n

Meksikal\u0131 belgeselci Carlos Hagerman<\/strong> yeni belgeseli No Place Like Home \/ Evimin Avlusu<\/em><\/strong>\u2019nda seyirciyi kendi evinin avlusuna davet ediyor. Hagerman<\/strong>, kendi ebeveynlerinin Meksika yerlileri i\u00e7in yapt\u0131\u011f\u0131 fedak\u00e2rl\u0131klar\u0131n izini s\u00fcr\u00fcyor. Meksika\u2019n\u0131n k\u0131rsal b\u00f6lgelerine el yordam\u0131yla ula\u015ft\u0131r\u0131lan e\u011fitimin ve bilgiye ula\u015f\u0131m\u0131n bir toplumda neleri de\u011fi\u015ftirebilece\u011fini g\u00f6steriyor. Meksika\u2019y\u0131 i\u00e7tenlikle kucaklayan, Super8 kamerayla \u00e7ekilmi\u015f g\u00fc\u00e7l\u00fc bir ar\u015fiv \u00e7al\u0131\u015fmas\u0131na sahip olan Evimin Avlusu<\/em><\/strong> ailevi y\u00f6n\u00fcyle ki\u015fisel, akademik y\u00f6n\u00fcyle toplumsal bir belgesel.<\/p>\r\n

\u00a0<\/em><\/strong><\/p>\r\n

Hitchcock\/Truffaut \/ Kent Jones<\/em><\/strong><\/p>\r\n

Francois Truffaut<\/strong>\u2019nun 8 g\u00fcn boyunca Alfred Hitchcock<\/strong>\u2019la yapt\u0131\u011f\u0131 s\u00f6yle\u015fiden derledi\u011fi ve 1966 y\u0131l\u0131nda yay\u0131mlanan \u201cHitchcock\u2019a G\u00f6re Sinema\u201d<\/em> kitab\u0131 Kent Jones<\/strong> taraf\u0131ndan bir belgesele d\u00f6n\u00fc\u015ft\u00fcr\u00fcld\u00fc. Hitchcock\/Truffaut<\/em><\/strong> belgeseli bir yandan iki y\u00f6netmenin ba\u015fyap\u0131tlar\u0131ndan par\u00e7alar ile ar\u015fiv g\u00f6r\u00fcnt\u00fclerini ekrana getirirken bir yandan da bu efsanevi r\u00f6portaj\/kitab\u0131n ses kay\u0131tlar\u0131n\u0131 ve foto\u011fraflar\u0131n\u0131 ortaya \u00e7\u0131kar\u0131yor. David Fincher<\/em><\/strong>, Paul Schrader<\/em><\/strong>, Martin Scorsese<\/em><\/strong>, Olivier Assayas<\/em><\/strong>, James Gray<\/strong>, Richard Linklater<\/strong>, Peter Bogdanovich<\/em><\/strong> gibi y\u00f6netmenlerin kitap hakk\u0131ndaki yorumlar\u0131 ve Hitchcock\u2019un y\u00f6netmenlikleri \u00fczerindeki etkilerini de anlatt\u0131klar\u0131 Hitchcock\/Truffaut<\/em><\/strong> belgeseli NTV Belgesel Ku\u015fa\u011f\u0131<\/strong> b\u00f6l\u00fcm\u00fcnde izleyiciyle bulu\u015facak.<\/p>\r\n

\u00a0<\/em><\/strong><\/p>\r\n

Hi\u00e7bir Yere Ait De\u011filim \/ I Don’t Belong Anywhere: The Cinema of Chantal Akerman \/ Marianne Lambert <\/em><\/strong>\u00a0<\/em><\/strong><\/p>\r\n

A\u011fustos Olaylar\u0131 \/ Sobytie \/ The Event \/ Sergei Loznitsa <\/em><\/strong><\/p>\r\n

Avrupa\u2019n\u0131n \u00f6nemli belgesel sinemac\u0131lar\u0131ndan Sergey Loznitsa<\/strong>, yeni filmi The Event \/ A\u011fustos Olaylar\u0131<\/em><\/strong>\u2019nda tarihin k\u0131r\u0131lma noktalar\u0131ndan birini sokak hareketleri \u00fczerinden, neredeyse yorumsuz ele al\u0131yor. Belgeselin merkezinde, 1991\u2019de Moskova\u2019da Ba\u015fkan Mihail Gorba\u00e7ov\u2019a kar\u015f\u0131 ba\u015far\u0131s\u0131z darbe giri\u015fiminin ard\u0131ndan Leningrad\u2019da dev meydanlar\u0131 dolduran insanlar yer al\u0131yor. Loznitsa<\/strong>, 8 kameraman\u0131n \u00e7ekti\u011fi siyah-beyaz ar\u015fiv g\u00f6r\u00fcnt\u00fcleri arac\u0131l\u0131\u011f\u0131yla, radyo dinleyerek haber almaya \u00e7al\u0131\u015fan, ordunun muhtemel bir m\u00fcdahalesine kar\u015f\u0131 barikatlar kuran insanlar\u0131n korkular\u0131n\u0131, beklentilerini, umutlar\u0131n\u0131, isteklerini g\u00f6steriyor ve ge\u00e7mi\u015fi yans\u0131t\u0131rken bug\u00fcnden bahsediyor. Venedik, Toronto, Rotterdam film festivallerinde \u00f6vg\u00fcyle kar\u015f\u0131lanan, Leipzig\u2019de \u00f6d\u00fcl alan A\u011fustos Olaylar\u0131, <\/em>Loznitsa<\/strong>\u2019n\u0131n Maidan<\/em> belgeselini takip ediyor. 1991\u2019de Kom\u00fcnist Parti, ba\u015fkan Gorba\u00e7ov ve Rusya ba\u015fkan\u0131 Yeltsin\u2019e kar\u015f\u0131 bir darbe giri\u015fiminde bulunmu\u015f, \u00fclke \u00e7ap\u0131ndaki protestolar\u0131n ard\u0131ndan Sovyetler Birli\u011fi da\u011f\u0131lm\u0131\u015ft\u0131.<\/p>\r\n

G\u00fcne\u015fin Alt\u0131nda \/ V paprsc\u00edch slunce \/ Under the Sun \/ Vitaly Mansky <\/em><\/strong><\/p>\r\n

Bug\u00fcne dek 30\u2019u a\u015fk\u0131n belgesel film \u00e7eken Ukrayna as\u0131ll\u0131 Rus sinemac\u0131 Vitaly Mansky<\/strong>, ilk g\u00f6sterimini Tallinn Kara Geceler Film Festivali\u2019nde yapan Under the Sun \/ G\u00fcne\u015fin Alt\u0131nda<\/em><\/strong> adl\u0131 belgeselinde Kuzey Kore\u2019de \u00c7ocuk Birli\u011fi\u2019ne mensup, eski lider Kim Il-Sung an\u0131s\u0131na haz\u0131rlanan bir t\u00f6rene kat\u0131lan k\u00fc\u00e7\u00fck bir k\u0131z \u00e7ocu\u011funu takip ediyor. G\u00fcndelik hayat \u00fczerinden Kuzey Kore\u2019nin r\u00f6ntgenini \u00e7eken Mansky<\/strong>, filmini Kuzey Kore devletinin deste\u011fiyle \u00e7ekmesine ve s\u0131k\u0131 kontrole ra\u011fmen belgeselde propaganda mekanizmalar\u0131n\u0131 ortaya \u00e7\u0131kar\u0131yor. G\u00fcne\u015fin Alt\u0131nda<\/em><\/strong>,<\/em> filme destek veren iki \u00fclke Rusya ve Kuzey Kore aras\u0131nda da diplomatik krize neden oldu. Yap\u0131mc\u0131 Simone Baumann, \u00e7ekimlerin ger\u00e7ekle\u015ftirilebilmesi i\u00e7in aralar\u0131nda Kuzey Kore K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 da dahil be\u015f \u00fclkenin kurumlar\u0131yla i\u015fbirli\u011fi yapt\u0131; bakanl\u0131k hem mali destek vermedi hem de filmdeki karakterlerden kullan\u0131lan kameralara kadar her \u015feyi denetledi. Ayn\u0131 zamanda ArtDoc Film Festivali\u2019nin kurucular\u0131ndan olan Vitaly Mansky<\/strong>, Sovyetler Birli\u011fi\u2019nin eski halini an\u0131msatt\u0131\u011f\u0131 i\u00e7in Kuzey Kore\u2019yi se\u00e7ti\u011fini belirtiyor, ancak Kore\u2019deki k\u00fclt\u00fcrel haf\u0131za ve ele\u015ftirel d\u00fc\u015f\u00fcnce yoksunlu\u011funun, ayr\u0131ca herkesin s\u00fcrekli mutlu ve memnun g\u00f6r\u00fcnmesinin de arada derin bir farkl\u0131l\u0131k yaratt\u0131\u011f\u0131n\u0131 ekliyor. Kore ve Rusya\u2019da filmin 60 dakikal\u0131k k\u0131sa versiyonu g\u00f6sterilecek.<\/p>\r\n

\u015eimdi Nereyi \u0130\u015fgal Edelim? \/ Where to Invade Next \/ Michael Moore <\/em><\/strong><\/p>\r\n

Michael Moore<\/strong>\u2019un yeni belgeseli Where to Invade Next \/ \u015eimdi Nereyi \u0130\u015fgal Edelim?<\/em><\/strong> sevenlerini mutlu edecek Moore tarz\u0131 bir belgesel. Y\u00f6netmen, \u201cmadem biz Amerikal\u0131lar i\u015fgal etmeyi al\u0131\u015fkanl\u0131k haline getirdik, o halde Avrupa\u2019y\u0131 da i\u015fgal edip oradaki g\u00fczel \u015feyleri de sahiplenelim,\u201d fikrinden yola \u00e7\u0131k\u0131yor. Tek ki\u015filik bir ordu olarak Avrupa\u2019ya yapt\u0131\u011f\u0131 bu \u00e7\u0131karman\u0131n ise \u00fc\u00e7 kural\u0131 var: Kimseye ate\u015f edilmeyecek, petrol ya\u011fmalanmayacak ve t\u00fcm Amerikal\u0131lar\u0131n yarar\u0131na bir \u015feyle geri d\u00f6n\u00fclecek.<\/p>\r\n

Tuz G\u00f6l\u00fc Hayalleri \/ I sogni del lago salato \/ Dreams of the Salt Lake \/ Andrea Segre <\/em><\/strong><\/p>\r\n

Belgesel filmlerinin yan\u0131 s\u0131ra Shun Li and the Poet<\/em> gibi \u00f6d\u00fcll\u00fc kurmaca filmleriyle de tan\u0131nan y\u00f6netmen Andrea Segre,<\/strong> Dreams of the Salt Lake \/ Tuz G\u00f6l\u00fc Hayalleri<\/em><\/strong>\u2019nde 60\u2019lar ve 70\u2019lerin sanayisi geli\u015fmekte olan \u0130talya\u2019s\u0131n\u0131 g\u00fcn\u00fcm\u00fcz\u00fcn Kazakistan\u2019\u0131nda ar\u0131yor. Andrea Segre,<\/strong> alabildi\u011fine uzanan bozk\u0131rlarda, \u00e7okuluslu petrol \u015firketlerinin m\u00fcdahalesiyle insanlar\u0131n de\u011fi\u015fen hayatlar\u0131n\u0131 g\u00f6zlemlerken \u0130talya\u2019daki kendi \u00e7ocuklu\u011fundan ar\u015fiv g\u00f6r\u00fcnt\u00fclerini de filme kat\u0131yor. \u0130lk g\u00f6sterimini Venedik Film Festivali\u2019nde yapan Tuz G\u00f6l\u00fc Hayalleri, <\/em><\/strong>petrol zengini bozk\u0131rdaki Aktav ile modern bir metropole d\u00f6n\u00fc\u015fen Astana aras\u0131nda gidip geliyor ve y\u0131ll\u0131k b\u00fcy\u00fcme oran\u0131 %6\u2019y\u0131 bulan Kazakistan\u2019\u0131n da bir portresini \u00e7iziyor.<\/p>\r\n

\u00a0<\/strong><\/p>\r\n

MAYINLI B\u00d6LGE<\/strong><\/p>\r\n

Tarz\u0131, yakla\u015f\u0131m\u0131, tekni\u011fi ya da anlat\u0131m\u0131 farkl\u0131, al\u0131\u015f\u0131lmad\u0131k, \u00f6nc\u00fc, bazen zorlay\u0131c\u0131, sivri, bazen deneysel filmlerden olu\u015fan May\u0131nl\u0131 B\u00f6lge b\u00f6l\u00fcm\u00fc \u00f6zellikle ke\u015fif\u00e7i sinefillere sesleniyor. Sineman\u0131n ayk\u0131r\u0131 ruhlar\u0131 May\u0131nl\u0131 B\u00f6lge\u2019de dola\u015f\u0131yor.<\/strong><\/p>\r\n

May\u0131nl\u0131 B\u00f6lge b\u00f6l\u00fcm\u00fcnde yer alan filmler;<\/u><\/em><\/strong><\/p>\r\n

H\u00fcz\u00fcnl\u00fc Gizem Ninnisi \/ Hele Sa Hiwagang Hapis \/ A Lullaby to the Sorrowful Mystery \/ Lav Diaz<\/em><\/strong><\/p>\r\n

Lav Diaz<\/strong>\u2019\u0131n son filmi A Lullaby to the Sorrowful Mystery \/ H\u00fcz\u00fcnl\u00fc Gizem Ninnisi,<\/em><\/strong> d\u00fcnya pr\u00f6miyerini yapt\u0131\u011f\u0131 Berlin Film Festivali\u2019nde G\u00fcm\u00fc\u015f Ay\u0131 Alfred Bauer \u00d6d\u00fcl\u00fc\u2019n\u00fc kazand\u0131.<\/strong> Plan sekanslardan olu\u015fan 480 dakika (8 saat) uzunlu\u011fuyla festivalin en uzun filmlerinden H\u00fcz\u00fcnl\u00fc Gizem Ninnisi,<\/em><\/strong> Filipinler\u2019de bug\u00fcne kadar \u00e7ekilmi\u015f en kalabal\u0131k kadrolu film olma \u00f6zelli\u011fini de ta\u015f\u0131yor. Filipinler tarihini konu alan siyah-beyaz film, \u0130spanya\u2019ya kar\u015f\u0131 1896-1897 y\u0131llar\u0131nda patlayan Filipinler devrimini farkl\u0131 tarihsel d\u00f6n\u00fcm noktalar\u0131, roman kahramanlar\u0131, tarihi ki\u015filikler ve simgeleri arac\u0131l\u0131\u011f\u0131yla ele al\u0131yor. \u0130stanbul Film Festivali\u2019nde daha \u00f6nce Norte, the End of History \/ Tarihin Sonu, From What Is Before \/ Evvelden<\/em> filmleri g\u00f6sterilen Lav Diaz<\/strong>, \u00e7a\u011fda\u015f Filipin sinemas\u0131n\u0131n \u00f6nde gelen isimlerinden say\u0131l\u0131yor.<\/p>\r\n

Semptom \/ Symptoma \/ Symptom \/ Angelos Frantzis<\/em><\/strong><\/p>\r\n

G\u00fcn\u00fcm\u00fcz Yunan sinemas\u0131n\u0131n en \u00f6zg\u00fcn y\u00f6netmenlerinden Angelos Frantzis<\/strong>, bir \u00f6nceki filmi Ormanda<\/em>\u2019dan sonra yeni filmi Symptom \/ Semptom<\/em><\/strong> ile tekrar May\u0131nl\u0131 B\u00f6lge\u2019de. Y\u00f6netmen bu kez \u0131ss\u0131z bir adaya musallat olan bir canl\u0131n\u0131n yol a\u00e7t\u0131\u011f\u0131 korkuyu ele al\u0131yor. Dev tav\u015fan kafas\u0131 ve asi bir rock y\u0131ld\u0131z\u0131n\u0131 hat\u0131rlatan deri ceketiyle adeta korkun\u00e7 bir k\u00e2bustan f\u0131rlam\u0131\u015f bu canl\u0131ya kar\u015f\u0131 durabilen tek ada sakini ise gen\u00e7 bir kad\u0131n. Frantzis<\/strong> \u00e7ok az diyalog i\u00e7eren Semptom<\/em><\/strong>\u2019un fantastik ve melodram t\u00fcrlerinin bir melezi oldu\u011funu s\u00f6yl\u00fcyor ve filminin \u201cbir kad\u0131n\u0131n bilin\u00e7alt\u0131na dalarak, i\u00e7g\u00fcd\u00fclerimiz ve ki\u015fisel ahlak aras\u0131ndaki daimi sava\u015f\u0131n emarelerini ortaya \u00e7\u0131kartmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131\u201d belirtiyor.<\/p>\r\n

\u00d6l\u00fcmc\u00fcl \/ Meurtri\u00e8re \/ Philippe Grandrieux<\/em><\/strong><\/p>\r\n

Deneysel sineman\u0131n zirvesindeki y\u00f6netmenlerden Philippe Grandrieux<\/strong>\u2019nun yeni film Meurtri\u00e8re<\/em><\/strong> \/ \u00d6l\u00fcmc\u00fcl<\/strong><\/em> hipnotik, m\u00fcstehcen, histerik ve korkutucu d\u00f6rt dans\u00e7\u0131n\u0131n dans\u0131n\u0131 anlat\u0131yor. Grandrieux<\/strong>, 2012\u2019de White Epilepsy \/ Beyaz N\u00f6bet<\/em> ile ba\u015flad\u0131\u011f\u0131 ve kayg\u0131y\u0131 merkeze alan \u00fc\u00e7lemesinin ikinci halkas\u0131nda alg\u0131da yeni kap\u0131lar a\u00e7maya devam ediyor. Filmdeki dans, y\u00f6netmenin di\u011fer filmleri ve videolar\u0131 gibi s\u0131n\u0131rlar\u0131 zorlayan bir esteti\u011fe sahip ve izleyicisine trans\u0131 and\u0131ran bir deneyim sunuyor. \u201cKayg\u0131\u201d \u00fc\u00e7lemesinin her bir aya\u011f\u0131, bir g\u00f6steri, bir film ve bir yerle\u015ftirmeden olu\u015fuyor. \u00d6l\u00fcmc\u00fcl<\/em><\/strong> performans\u0131 Lyon Walls and Bridges ve Whitney Museum of American Art\u2019ta sergilendi.<\/p>\r\n

Evrim \/ Evolution \/ Lucile Hadzihalilovic<\/em><\/strong><\/p>\r\n

Lucille Hadzihalilovic<\/strong>, 10 y\u0131l \u00f6nce festivalin Uluslararas\u0131 Yar\u0131\u015fma b\u00f6l\u00fcm\u00fcnde Radikal Halk \u00d6d\u00fcl\u00fc ve FIPRESCI \u00d6d\u00fcl\u00fc\u2019n\u00fc kazanan filmi Innocence \/ Masumiyet<\/em>\u2019in ard\u0131ndan Evolution \/ Evrim<\/em><\/strong> ile sinemaya geri d\u00f6n\u00fcyor. \u0130lk g\u00f6sterimi Toronto\u2019da yap\u0131lan Lucile Hadzihalilovic<\/strong>\u2019in ikinci uzun metrajl\u0131 filmi b\u00fcy\u00fcleyici bir r\u00fcya ile kan donduran bir k\u00e2bus aras\u0131nda gidip geliyor. Gaspar No\u00e9\u2019nin e\u015fi olan Hadzihalilovic<\/strong>, Evrim<\/em><\/strong>\u2019de <\/em>do\u011fumdan ergenli\u011fe yolculu\u011fumuzu denizin derinlikleri ve hastane metaforlar\u0131yla fantastik bir \u00f6yk\u00fcye yerle\u015ftirerek sunuyor.<\/p>\r\n

Pek A\u011f\u0131r Yol \u0130leri \/ Dead Slow Ahead \/ Mauro Herce<\/em><\/strong><\/p>\r\n

Locarno\u2019da d\u00fcnya pr\u00f6miyerini yapan Dead Slow Ahead \/ Pek A\u011f\u0131r Yol \u0130leri<\/em><\/strong>, \u0130stanbul\u2019dan yola \u00e7\u0131k\u0131p Odessa, Nikolaev, Port Said, \u0130smailiye, S\u00fcvey\u015f, Akabe, Cuesta, Triumph ve New Orleans\u2019a u\u011frayan Fair Lady ad\u0131nda b\u00fcy\u00fck bir y\u00fck gemisini konu al\u0131yor. Bayraks\u0131z, mek\u00e2ns\u0131z, yoklu\u011fun orta yeri olan okyanusun ortas\u0131nda, belki de zaman\u0131n dahi d\u0131\u015f\u0131nda ilerliyor. M\u00fcrettebat\u0131, tek ba\u015f\u0131na 21. y\u00fczy\u0131l\u0131n neokapitalizmini sembolize eden bu dev yap\u0131n\u0131n i\u00e7inde didiniyor; bedenleri d\u0131\u015f\u0131nda b\u00fct\u00fcn hayatlar\u0131n\u0131 karada b\u0131rakm\u0131\u015flar. Pek diyalog duyulmuyor, zira bu dev makine, motorlar\u0131 \u00e7al\u0131\u015ft\u0131\u011f\u0131 s\u00fcrece b\u00fct\u00fcn sesleri bask\u0131layabilecek bir kudrete sahip.<\/p>\r\n

Tekir \/ Kater \/ Tomcat \/ H\u00e4ndl Klaus<\/em><\/strong><\/p>\r\n

Y\u00f6netmen H\u00e4ndl Klaus<\/strong>\u2019un senyorsunu da kendi yazd\u0131\u011f\u0131 filmi Tomcat \/ Tekir<\/em><\/strong> festivalin May\u0131nl\u0131 B\u00f6lge b\u00f6l\u00fcm\u00fcnde. Berlin\u2019de Teddy En \u0130yi Film \u00d6d\u00fcl\u00fc\u2019n\u00fc alan Tekir<\/em>, minimal bir gerilim filmi. \u00dcst orta s\u0131n\u0131f e\u015fcinsel bir \u00e7iftin mutlu ve huzurlu ya\u015famlar\u0131 kedileri Moses ile tamamlanmaktad\u0131r. Ancak bir g\u00fcn bir anda geli\u015fen \u015fiddet i\u00e7erikli bir olay evlerine huzurluk tohumunu eker. Avusturya sinemas\u0131n\u0131n al\u00e2metifarikas\u0131 Haneke veya Seidl gibi ustalar\u0131n yap\u0131tlar\u0131n\u0131n yan\u0131na konabilecek bu filmi izlerken ger\u00e7ekten \u00e7elik gibi sa\u011flam sinirlere sahip olmak gerekiyor.<\/p>\r\n

Vah\u015fi \/ Wild \/ Nicolette Krebitz<\/em><\/strong><\/p>\r\n

Gerek m\u00fczikleri gerekse stilize sahneleriyle \u00f6zg\u00fcn ve etkileyici bir atmosfere sahip olan Wild \/ Vah\u015fi<\/em><\/strong>, risk almay\u0131 seven izleyiciler i\u00e7in bi\u00e7ilmi\u015f kaftan. \u015eehirde parkta kar\u015f\u0131la\u015ft\u0131\u011f\u0131 bir kurdu tak\u0131nt\u0131 haline getirip sonra da evcil hayvan gibi evine kapatan bir gen\u00e7 kad\u0131n\u0131 izleyen Vah\u015fi<\/em><\/strong>, Nicolette Krebitz<\/strong>\u2019in \u00fc\u00e7\u00fcnc\u00fc uzun metrajl\u0131 filmi. Modern toplum hayat\u0131n\u0131n bizi \u00f6z\u00fcm\u00fczden uzakla\u015ft\u0131rd\u0131\u011f\u0131na dair bir yorum getiren alabildi\u011fine huzursuz edici Vah\u015fi<\/em><\/strong>, d\u00fcnya pr\u00f6miyerini Sundance\u2019te D\u00fcnya Sinemas\u0131 b\u00f6l\u00fcm\u00fcnde yapt\u0131 ve \u00f6zellikle ba\u015froldeki Lilith Stangenberg<\/strong>\u2019in ve kurtlar\u0131n performans\u0131yla \u00f6vg\u00fcler ald\u0131. Bale e\u011fitiminden sonra oyunculuk e\u011fitimi alan y\u00f6netmen Nicolette Krebitz<\/strong> 1992-2000 y\u0131llar\u0131 aras\u0131nda bir\u00e7ok sinema ve TV filminde oyunculuk yapt\u0131.<\/p>\r\n

\u00a0<\/em><\/strong><\/p>\r\n

\u00d6\u011fleden Sonra \/ Na ri xia wu \/ Afternoon \/ Tsai Ming-Liang<\/em><\/strong><\/p>\r\n

Elveda Sinema<\/em> ile Alt\u0131n Lale\u2019yi kazanan, bir\u00e7ok filmi festivalde ve Filmekimi\u2019nde g\u00f6sterilen Tsai Ming-liang<\/strong> yeni filmi Afternoon \/ \u00d6\u011fleden Sonra<\/em><\/strong>\u2019da kendini sorguluyor ve izleyenine y\u00f6netmenin ak\u0131l odas\u0131na girmek i\u00e7in bir anahtar veriyor. \u00d6\u011fleden Sonra<\/em><\/strong>\u2019<\/em>da Tsai<\/strong>, ilham perisi ve bir\u00e7ok filminin ba\u015frol oyuncusu Lee Kang-sheng<\/strong>\u2019le tek bir mek\u00e2nda kar\u015f\u0131l\u0131kl\u0131 sohbet ediyor. Indiewire<\/em> dergisi filmi \u201cbelki de en az konu\u015fulan ama en derin y\u00f6netmen-oyuncu i\u015fbirli\u011finin i\u00e7ten ve samimi bir portresi.\u201d olarak yorumluyor.\u00a0<\/strong><\/p>\r\n

Uyku Yok Yok \/ Wu wu mian \/ No No Sleep \/ Tsai Ming-Liang + Sis \/ Mok Mae Rim \/ Vapour \/ Apichatpong Weerasethakul<\/em><\/strong><\/p>\r\n

Ya\u015fayan en \u00f6nemli Tayvanl\u0131 y\u00f6netmenlerden Tsai Ming-liang<\/strong>, y\u00fcr\u00fcyen bireylerin pe\u015fine tak\u0131ld\u0131\u011f\u0131 Walker<\/em> serisinin yedinci b\u00f6l\u00fcm\u00fc No No Sleep \/ Uyku Yok Yok<\/em><\/strong>\u2019ta kameras\u0131n\u0131 bu kez Tokyo\u2019ya yerle\u015ftiriyor. Yava\u015f sineman\u0131n b\u00fcy\u00fck ustas\u0131 Ming-liang<\/strong>, 2014 tarihli Walker to the West<\/em>\u2019ten hat\u0131rlanabilecek serinin Lee Kang-sheng<\/strong>\u2019in canland\u0131rd\u0131\u011f\u0131 k\u0131rm\u0131z\u0131 k\u0131yafetli ke\u015fi\u015fi, Tokyo sokaklar\u0131nda bir hamama kadar takip ediyor. Tayvanl\u0131 y\u00f6netmen, k\u0131sa metrajl\u0131 Uyku Yok Yok<\/em><\/strong>\u2019te s\u00fck\u00fbnet ile gerilim aras\u0131nda buldu\u011fu denge, statik kameras\u0131 ve m\u00fckemmel kadrajlar\u0131n\u0131n i\u00e7indeki koreografiyle dikkat \u00e7ekiyor. 2004\u2019te Goodbye, Dragon Inn \/ Elveda Sinema<\/em> ile Uluslararas\u0131 Yar\u0131\u015fma Alt\u0131n Lale \u00f6d\u00fcl\u00fcn\u00fc kazanan ve 2007\u2019de de Lee Kang-sheng ile festivale konuk gelen Tsai Ming-liang<\/strong>\u2019\u0131n festival program\u0131nda bir filmi daha yer al\u0131yor: Yine May\u0131nl\u0131 B\u00f6lge\u2019de g\u00f6sterilecek olan, bu kez uzun metrajl\u0131 \u00d6\u011fleden sonra \/ Na ri xia wu \/ Afternoon.<\/em><\/p>\r\n

Taylandl\u0131 y\u00f6netmen ve video sanat\u00e7\u0131s\u0131 Apichatpong Weerasethakul<\/strong> Vapour \/ Sis<\/em><\/strong>\u2019te g\u00fc\u00e7l\u00fc sinema dilini bu kez sessizlikle zorluyor. Tayland\u2019\u0131n kuzeyinde, y\u00f6netmenin 8 y\u0131l ya\u015fad\u0131\u011f\u0131 Toongha adl\u0131 k\u00f6yde ge\u00e7en bu deneysel k\u0131sa metrajl\u0131 filmde Weerasethakul<\/strong> bir kez daha kurmaca ile belgesel, ger\u00e7ek ile r\u00fcya aras\u0131ndaki s\u0131n\u0131rlar\u0131 kald\u0131ran sinema dilini kullan\u0131yor. Y\u00f6netmen Alt\u0131n Palmiye \u00f6d\u00fcll\u00fc filmi Amcam \u00d6nceki Hayatlar\u0131n\u0131 Hat\u0131rl\u0131yor<\/em>\u2019da oldu\u011fu gibi \u00fclkesinin politik atmosferine yarat\u0131c\u0131 bir sinemayla bak\u0131yor. Sis, <\/em><\/strong> klarinet virt\u00fcoz\u00fc O\u011fuz B\u00fcy\u00fckberber<\/strong>\u2019in canl\u0131 m\u00fczi\u011fi e\u015fli\u011finde g\u00f6sterilecek. Son uzun metrajl\u0131 filmi Cemetery of Splendour \/ Saltanat\u0131n Mezarl\u0131\u011f\u0131<\/em> 2015 Filmekimi\u2019nde g\u00f6sterilen Apichatpong Weerasethakul<\/strong> \u201cHayaletli Evler\u201d projesiyle 2001\u2019de yap\u0131lan 7. \u0130stanbul Bienali\u2019nin sanat\u00e7\u0131lar\u0131 aras\u0131ndayd\u0131.<\/p>\r\n

Tikkun \/ Avishai Sivan <\/em><\/strong><\/p>\r\n

Avishai Sivan\u2019<\/strong>\u0131n tekinsizlik, yetersizlik ve huzursuzluk duygusuyla donatt\u0131\u011f\u0131 filmi Tikkun<\/em><\/strong>, g\u00fcvenli sand\u0131\u011f\u0131 d\u00fcnyas\u0131 yerle yeksan olan radikal bir dindar\u0131n \u00e7aresizli\u011fi \u00fczerine. Kud\u00fcs\u2019te En \u0130yi Erkek Oyuncu, En \u0130yi \u0130srail Filmi, En \u0130yi Senaryo, Singapur\u2019da mansiyon, Locarno\u2019da ise G\u00fcm\u00fc\u015f Leopar J\u00fcri \u00d6zel, G\u00f6r\u00fcnt\u00fc Mansiyon ve Don Ki\u015fot \u00f6d\u00fcllerini alan Tikkun<\/em><\/strong>, Sivan<\/strong>\u2019\u0131n The Wanderer<\/em> ile ba\u015flayan ve Yahudi dini \u201cye\u015fiva\u201d \u00f6\u011frencilerinin sars\u0131lan inan\u00e7lar\u0131 hakk\u0131ndaki \u00fc\u00e7lemesinin ikinci filmi. Ba\u015froldeki Aharon Traitel<\/strong>, bu dini \u00f6\u011frenimi yar\u0131da b\u0131rakm\u0131\u015f bir \u201ceski\u201d Hasidik ye\u015fiva \u00f6\u011frencisi. \u201cTikkun\u201d kelimesi \u0130branicede \u201cgeli\u015fme, iyile\u015ftirme\u201d anlam\u0131na gelirken Yahudi mistisizminde \u201cruhun \u00f6te d\u00fcnyaya ge\u00e7meden \u00e7\u00f6z\u00fclmemi\u015f meselelerini \u00e7\u00f6zmesi\u201d kavram\u0131n\u0131 tarif ediyor. Avishai Sivan<\/strong>\u2019\u0131n ilk filmi The Wanderer<\/em> 2010\u2019da Cannes Film Festivali\u2019nde pr\u00f6miyerini yapm\u0131\u015ft\u0131.<\/p>\r\n

F\u0131s\u0131ldayan Y\u0131ld\u0131z \/ Hiso Hiso Boshi \/ The Whispering Star \/ Sion Sono<\/em><\/strong><\/p>\r\n

Minimalist bilim-kurgu filmi The Whispering Star \/ <\/em><\/strong>F\u0131s\u0131ldayan Y\u0131ld\u0131z<\/em><\/strong>, insanl\u0131\u011f\u0131n yok oldu\u011fu bir gelecekte ge\u00e7iyor. Film, gezegenler aras\u0131nda paket yapan \u201chumanoid\u201d Yoko\u2019nun, insan olman\u0131n nas\u0131l bir \u015fey oldu\u011fu anlamaya \u00e7al\u0131\u015fmas\u0131n\u0131 konu al\u0131yor. Mek\u00e2nlar ise Fukushima N\u00fckleer Felaketi sonras\u0131 insanlar\u0131n oturdu\u011fu yerlere g\u00f6nderme yap\u0131yor. Y\u00f6netmen Sion Sono<\/strong>\u2019nun b\u00fcy\u00fck hayal g\u00fcc\u00fc ve yal\u0131nl\u0131\u011f\u0131 filmi daha da dikkat \u00e7ekici hale getiriyor.<\/p>\r\n

G\u00d6M\u00dcL\u00dc HAZ\u0130NELER <\/strong><\/p>\r\n

\r\n<\/strong>Festivalin bu y\u0131l \u00e7ok ses getirecek yeni b\u00f6l\u00fcmlerinden biri \u201cG\u00f6m\u00fcl\u00fc Hazineler\u201d<\/strong> ba\u015fl\u0131\u011f\u0131n\u0131 ta\u015f\u0131yor. Alkan Avc\u0131o\u011flu<\/strong>‘nun k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc \u00fcstlendi\u011fi b\u00f6l\u00fcm, sinema tarihinin varl\u0131\u011f\u0131 az bilinen, yasaklanm\u0131\u015f, kaybolmu\u015f, y\u0131llar boyu izleyici kar\u015f\u0131s\u0131na \u00e7\u0131kmam\u0131\u015f filmlerini g\u00f6m\u00fcl\u00fc oldu\u011fu yerden g\u00fcn \u0131\u015f\u0131\u011f\u0131na \u00e7\u0131kartacak.<\/p>\r\n

Hayranlar\u0131 aras\u0131nda David Lynch, Francis Ford Coppola ve Quay karde\u015fler gibi isimler bulunan Polonyal\u0131 y\u00f6netmen Wojciech Has<\/strong>\u2019\u0131n 1973 yap\u0131m\u0131 fantastik ve ger\u00e7ek\u00fcst\u00fc sineman\u0131n nadide \u00f6rneklerinden biri say\u0131lan filmi The Hourglass Sanatorium<\/em><\/strong> \/ Kum Saati Sanatoryumu<\/em><\/strong> b\u00f6l\u00fcm kapsam\u0131nda izleyiciyle bulu\u015facak yap\u0131tlardan. Zaman\u0131nda Polonya\u2019dan yurtd\u0131\u015f\u0131na \u00e7\u0131kar\u0131lmas\u0131 yasaklanan Kum Saati Sanatoryumu<\/em><\/strong>, gizlice g\u00f6nderilen kopyas\u0131yla 1973\u2019te Cannes’da g\u00f6sterildi ve J\u00fcri \u00d6zel \u00d6d\u00fcl\u00fc kazand\u0131. 2000’lerde kopyas\u0131 Martin Scorsese sayesinde restore edilen film, babas\u0131n\u0131 ziyaret etmek \u00fczere sanatoryuma giden bir adam\u0131n oda oda gezerken kar\u015f\u0131la\u015ft\u0131\u011f\u0131 tuhaf karakterleri, ger\u00e7eklikle hayal d\u00fcnyas\u0131n\u0131 birle\u015ftiren an\u0131lar\u0131, Polonya\u2019n\u0131n ge\u00e7mi\u015finden imgeler ve s\u0131ra d\u0131\u015f\u0131 m\u00fczik band\u0131yla benzersiz bir sinemasal deneyim sunuyor.<\/p>\r\n

\u00a0<\/u><\/em><\/strong><\/p>\r\n

Eiichi Yamamoto<\/strong>\u2019nun, sinema tarihinin en s\u0131ra d\u0131\u015f\u0131, c\u00fcretkar ve psikedelik animasyonlar\u0131ndan biri say\u0131lan 1973 yap\u0131m\u0131 Belladonna of Sadness <\/em><\/strong>b\u00f6l\u00fcm kapsam\u0131nda b\u00fcy\u00fck ekrana d\u00f6n\u00fcyor. Frans\u0131z tarih\u00e7i Jules Michelet’in La Sorci\u00e8re<\/em> adl\u0131 kitab\u0131ndan uyarlanan bu tabuy\u0131k\u0131c\u0131 animasyon, k\u00f6y\u00fcn baronu taraf\u0131ndan tecav\u00fcze u\u011frad\u0131ktan sonra \u015feytanla anla\u015fma yapan Jeanne’\u0131n hik\u00e2yesini anlat\u0131yor. \u0130lk \u00e7\u0131kt\u0131\u011f\u0131 y\u0131llardan bu yana uzun s\u00fcre ula\u015f\u0131lamayan, 2015’te restore edilen bu sert film, ge\u00e7ti\u011fimiz y\u0131l Amerika\u2019daki ilk g\u00f6sterimini ger\u00e7ekle\u015ftirdi\u011fi, en \u00f6nemli fantastik film festivallerinden kabul edilen Austin\u2019daki Fantastic Fest<\/strong>\u2019de g\u00f6sterilerek b\u00fcy\u00fck ses getirdi. Japon animasyon sanat\u0131n\u0131n en b\u00fcy\u00fck kay\u0131p ba\u015fyap\u0131tlar\u0131ndan olan bu benzersiz yap\u0131m, Japon anime-manga d\u00fcnyas\u0131n\u0131n \u201cb\u00fcy\u00fckbabas\u0131\u201d Osamu Tezuka\u2019n\u0131n yap\u0131mc\u0131l\u0131\u011f\u0131n\u0131 \u00fcstlendi\u011fi yeti\u015fkinlere y\u00f6nelik \u201cAnimerama\u201d \u00fc\u00e7lemesinin Eiichi Yamamoto taraf\u0131ndan \u00e7ekilen son filmi.<\/p>\r\n

Amerikal\u0131 d\u00e2hi sinemac\u0131 Charles Burnett<\/strong>\u2019\u0131n hem ilk filmi hem ilk ba\u015fyap\u0131t\u0131 1978 yap\u0131m\u0131 Killer of Sheep<\/em><\/strong>, Los Angeles\u2019ta, Afrika k\u00f6kenli Amerikal\u0131lar\u0131n ya\u015fad\u0131\u011f\u0131 bir mahalledeki g\u00fcndelik hayat\u0131, \u0130talyan Yeni Ger\u00e7ek\u00e7ili\u011fi\u2019nin izinden giden bir anlat\u0131mla g\u00f6steriyor. D\u00fc\u015f\u00fck b\u00fct\u00e7eli ve amat\u00f6r oyuncular\u0131n rol ald\u0131\u011f\u0131 film, 1981\u2019de Berlin Film Festivali\u2019nde yar\u0131\u015ft\u0131 ve FIPRESCI \u00f6d\u00fcl\u00fc kazand\u0131. Ancak m\u00fczik par\u00e7alar\u0131n\u0131n telif sorunu nedeniyle hi\u00e7 g\u00f6sterime giremedi. Y\u0131llar i\u00e7erisinde kulaktan kula\u011fa yay\u0131larak Amerikan Ba\u011f\u0131ms\u0131z Sinemas\u0131\u2019n\u0131n kay\u0131p efsanelerinden birine d\u00f6n\u00fc\u015fen film, 2007\u2019de Steven Soderbergh\u2019in filmin m\u00fcziklerinin telif hakk\u0131n\u0131 sat\u0131n almas\u0131 sonras\u0131, \u00e7ekiminin 30 y\u0131l ard\u0131ndan nihayet ilk kez g\u00f6sterime girebildi. Burnett\u2019in filmi g\u00f6sterilmeye ba\u015flad\u0131ktan sonra Amerikan sinemas\u0131n\u0131n kilometre ta\u015flar\u0131ndan biri olarak kabul g\u00f6rmeye ba\u015flad\u0131. Amerikan Ulusal Ele\u015ftirmenler Birli\u011fi\u2019nin \u201c100 Temel Film\u201d aras\u0131na se\u00e7ti\u011fi filmi, BBC ise 2015 y\u0131l\u0131nda yay\u0131nlad\u0131\u011f\u0131 \u201cEn \u0130yi 100 Amerikan Filmi\u201d listesinde 26. S\u0131raya yerle\u015ftirdi.<\/p>\r\n

Yeni Dalga’n\u0131n fikir babalar\u0131ndan Jacques Rivette<\/strong> asl\u0131nda bir TV i\u00e7in \u00e7ekti\u011fi, Paris’teki bir grup tiyatrocu \u00fczerinden 1968 ruhuna, sanata ve siyasete dair bir meditasyon olarak nitelendirilebilecek Out 1<\/em>‘i tamamlad\u0131\u011f\u0131nda son kurgusu 750 dakikan\u0131n \u00fczerindeydi. Frans\u0131z televizyonu bu episodik filmi yay\u0131nlamay\u0131 reddetti, film de bir \u00f6zel g\u00f6sterimin ard\u0131ndan kay\u0131plara kar\u0131\u015ft\u0131. Rivette<\/strong>, bir y\u0131l sonra Out 1: Spectre<\/em><\/strong> ad\u0131 alt\u0131nda 250 dakikal\u0131k yeni bir kurgu yaratt\u0131. Bu film de birka\u00e7 festival g\u00f6steriminin ard\u0131ndan kay\u0131plara kar\u0131\u015ft\u0131. Y\u0131llar i\u00e7inde filmi tek kopyas\u0131ndan veya 16mm’den aktarma k\u00f6t\u00fc kaliteli VHS kopyas\u0131ndan izleme \u015fans\u0131na eri\u015fenler benzersiz bir film, kat\u0131ks\u0131z bir ba\u015fyap\u0131t oldu\u011funu do\u011frulad\u0131. \u00c7ok de\u011fil daha d\u00fcne kadar bir t\u00fcrl\u00fc ula\u015f\u0131lamayan bu kay\u0131p hazine, \u015fimdi restore edilmi\u015f kopyas\u0131yla sinemaseverlerin kar\u015f\u0131s\u0131na ilk kez 35. \u0130stanbul Film Festivali\u2019nde \u00e7\u0131kacak.<\/p>\r\n

ANT\u0130DEPRESAN <\/strong><\/p>\r\n

\u00a0<\/strong><\/p>\r\n

\u0130lk kez 2010 y\u0131l\u0131nda festivalde yer alan ve k\u0131sa s\u00fcrede festivalin vazge\u00e7ilmezlerinden biri olan TLC sponsorlu\u011fundaki Antidepresan b\u00f6l\u00fcm\u00fcnde 10 film <\/strong>izleyicilerle bulu\u015facak. Festival, <\/strong>hayat\u0131 hafife alan, e\u011flendirirken d\u00fc\u015f\u00fcnd\u00fcren, mizaha ve d\u00fcnyaya beklenmedik, ters k\u00f6\u015felerden bakan b\u00f6l\u00fcm \u201chayat, ciddiye al\u0131nmayacak kadar k\u0131sa\u201d mottosundan yola \u00e7\u0131k\u0131yor. <\/strong><\/p>\r\n

\u00a0<\/strong><\/p>\r\n

Antidepresan b\u00f6l\u00fcm\u00fcnde yer alan filmler;<\/u><\/em><\/strong><\/p>\r\n

\u00a0<\/strong><\/p>\r\n

Ben ve Kaminski \/ Ich und Kaminski \/ Me and Kaminski \/ Wolfgang Becker<\/em><\/strong><\/p>\r\n

On iki y\u0131l \u00f6nce \u00e7ekti\u011fi son kurmacas\u0131 Elveda Lenin!<\/em> d\u00fcnya \u00e7ap\u0131nda bir hite d\u00f6n\u00fc\u015fen Wolfgang Becker<\/strong>\u2019in uzun zamand\u0131r yolu g\u00f6zlenen yeni filmi Me and Kaminski \/ Ben ve Kaminski<\/em><\/strong>, Almanya\u2019n\u0131n en parlak gen\u00e7 yazarlar\u0131ndan Daniel Kehlmann<\/strong>\u2019\u0131n roman\u0131ndan beyazperdeye uyarland\u0131. Filmin ba\u015fkarakteri Sebastian Z\u00f6llner, ressam Manuel Kaminski hakk\u0131nda bir makale yazmakta olan gen\u00e7 bir gazetecidir. Bir yandan i\u015fini tamamlamaya \u00e7al\u0131\u015f\u0131rken, di\u011fer yandan makalesini do\u011frudan paraya \u00e7evirebilmek i\u00e7in Kaminski\u2019nin bir an \u00f6nce \u00f6lmesini dilemektedir. Ben ve Kaminski<\/em><\/strong>, Daniel Br\u00fchl<\/strong> ile Jester Christensen<\/strong>\u2019in oyunculuklar\u0131yla dikkat \u00e7ekiyor.<\/p>\r\n

Apartman Hik\u00e2yeleri \/ Asphalte \/ Macadam Stories \/ Samuel Benchetrit<\/em><\/strong><\/p>\r\n

Y\u00f6netmen Samuel Benchetrit<\/strong>, detayc\u0131l\u0131kla \u00f6rd\u00fc\u011f\u00fc yeni filmi Asphalte \/ Apartman Hikayeleri\u2019<\/em><\/strong>nin hik\u00e2yesini bir grup Parislinin hayat\u0131ndaki kelebek etkisi etraf\u0131ndan kuruyor. Paris\u2019in orta yerinde bir apartman\u0131n asans\u00f6r\u00fcn\u00fcn \u00e7al\u0131\u015fmamas\u0131n\u0131n alt\u0131 insan\u0131n kararlar\u0131na nas\u0131l tesir etti\u011fini konu al\u0131yor.<\/p>\r\n

Allah \u0130zin Verirse \/ Se dio vuole \/ God Willing \/ Edoardo Maria Falcone<\/em><\/strong><\/p>\r\n

Senarist Edoardo Maria Falcone<\/strong>\u2019nin ilk y\u00f6netmenlik denemesi Se dio vuole \/ Allah \u0130zin Verirse<\/em><\/strong> ge\u00e7en y\u0131l\u0131n en ba\u015far\u0131l\u0131 \u0130talyan filmlerinden. Hem izleyicilerin hem de ele\u015ftirmenlerin be\u011fenisi toplayan film Tokyo\u2019da \u0130zleyici \u00d6d\u00fcl\u00fc, David di Donatello \u00d6d\u00fclleri ve \u0130talyan Sinema Yazarlar\u0131 Derne\u011fi taraf\u0131ndan da En \u0130yi Y\u00f6netmen \u00f6d\u00fcl\u00fc ald\u0131. Ba\u015fkarakteri ba\u015far\u0131l\u0131 ve kibirli kalp cerrah\u0131 Tomassa, aile ili\u015fkileri konusunda i\u015finde oldu\u011fu kadar iyi de\u011fildir. Kar\u0131s\u0131yla aras\u0131 son zamanlarda bozuktur, k\u0131z\u0131n\u0131n da hayatta hi\u00e7bir amac\u0131n\u0131n olmamas\u0131na katlanamaz ve b\u00fct\u00fcn umudunu ba\u011flad\u0131\u011f\u0131 kendisi gibi bir cerrah olmas\u0131n\u0131 bekledi\u011fi o\u011flu t\u00fcm hayat\u0131n\u0131 de\u011fi\u015ftirecek bir karar verdi\u011fini s\u00f6yler. Tomasso bu haberin \u015fokunu atlat\u0131r atlatmaz, o\u011flunun akl\u0131na kimin girdi\u011fini bulmaya koyulur.<\/p>\r\n

Florida \/ Floride \/ Philippe Le Guay <\/em><\/strong><\/p>\r\n

Dramla komedi aras\u0131nda hassas bir denge tutturan ve Frans\u0131z sinemas\u0131n\u0131n en b\u00fcy\u00fck karakter oyuncular\u0131ndan Jean Rochefort<\/strong>\u2019un \u201cbug\u00fcne kadarki en dokunakl\u0131 performans\u0131\u201dyla dikkatleri \u00e7eken Florida<\/em><\/strong>, \u201cunutmak\u201d\u0131 diline dolasa da daha ziyade \u201chat\u0131rlamak\u201d \u00fczerine bir film. 80 ya\u015f\u0131na varan ve ya\u015fad\u0131\u011f\u0131 unutkanl\u0131k ve kafa kar\u0131\u015f\u0131kl\u0131\u011f\u0131 n\u00f6betleri s\u0131kla\u015fan bir adam\u0131n k\u0131z\u0131 ile ili\u015fkisini mercek alt\u0131na alan Florida<\/em><\/strong>, ilk g\u00f6sterimini Locarno Film Festivali\u2019nde yapt\u0131. Rochefort\u2019a k\u0131z\u0131 rol\u00fcnde Sandrine Kiberlain e\u015flik ediyor. Florida<\/em><\/strong>, Florian Zeller\u2019in Le p\u00e8re \/ Baba<\/em> adl\u0131 oyunundan uyarland\u0131. \u0130lk C\u00e9sar \u00f6d\u00fcl\u00fcn\u00fc 1976\u2019da kazanan Jean Rochefort, Terry Gilliam\u2019\u0131n bir t\u00fcrl\u00fc \u00e7ekilemeyen me\u015fhur Don Quixote<\/em>\u2019sinde ba\u015frol\u00fc \u00fcstlenecekti. Bir\u00e7ok \u00f6d\u00fcll\u00fc film \u00e7eken y\u00f6netmen Philippe Le Guay, <\/strong>2014 y\u0131l\u0131nda Uluslararas\u0131 Alt\u0131n Lale j\u00fcrisinde yer alm\u0131\u015ft\u0131.<\/p>\r\n

Y\u0131lba\u015f\u0131 E\u011flencesi \/ Mi gran noche \/ My Big Night \/ Alex de la Iglesia <\/em><\/strong><\/p>\r\n

\u0130spanyol sinemas\u0131n\u0131n hem en \u00fcretken hem de en \u00e7\u0131lg\u0131n y\u00f6netmenlerinden Alex de la Iglesia<\/strong>, bu kez alabildi\u011fine e\u011flenceli bir g\u00f6steri d\u00fcnyas\u0131 ta\u015flamas\u0131yla kar\u015f\u0131m\u0131zda \u00e7\u0131k\u0131yor. My Big Night \/ Y\u0131lba\u015f\u0131 E\u011flencesi<\/em><\/strong>‘nde Iglesia<\/strong>, kameras\u0131n\u0131 yeni y\u0131la iki ay kala bir televizyon kanal\u0131na \u00e7eviriyor. Kanalda \u015fimdiden hakim olan y\u0131lba\u015f\u0131 yay\u0131n\u0131n tela\u015f\u0131 ve bu b\u00fcy\u00fck tela\u015ftan rol \u00e7alan ba\u015fka dertler de var. Y\u00f6netmen, Y\u0131lba\u015f\u0131 E\u011flencesi<\/em><\/strong>‘<\/em>nde her zaman oldu\u011fu gibi bir sirk y\u00f6netiyor sanki ve Fellini\u2019ye, Altman\u2019a ve \u00f6nc\u00fcl\u00fc Almod\u00f3var\u2019a referanslar ta\u015f\u0131maya devam ediyor<\/p>\r\n

Bay Sim\u2019in \u00c7ok \u00d6zel Hayat\u0131 \/ La vie tr\u00e8s priv\u00e9e de Monsieur Sim \/ The Very Private Life of Mister Sim \/ Michel Leclerc <\/em><\/strong><\/p>\r\n

2010 <\/em>yap\u0131m\u0131 ikinci filmi A\u015fk\u0131n Halleri<\/em> ile uluslararas\u0131 ba\u015far\u0131 yakalayan Michel Leclerc<\/strong> yeni komedi filmi The Very Private Life of Mister Sim \/ Bay Sim\u2019in \u00c7ok \u00d6zel Hayat\u0131<\/em><\/strong> ile kar\u015f\u0131m\u0131zda. Depresif karakterlere hayat veren Jean-Pierre Bacri\u2019<\/strong>nin canland\u0131rd\u0131\u011f\u0131 Bay Sim, \u00f6zel hayat\u0131 berbat olunca gezgin bir sat\u0131c\u0131 olmay\u0131 se\u00e7en ve yeni i\u015finde macera dolu bir ke\u015fif yolculu\u011funa \u00e7\u0131kan orta ya\u015fl\u0131 bir adam. Bu yol komedisi olan Bay Sim\u2019in \u00c7ok \u00d6zel Hayat\u0131, <\/em><\/strong>\u0130ngiliz yazar Jonathan Coe\u2019nun The Terrible Privacy of Maxwell Sim<\/em> adl\u0131 roman\u0131ndan uyarland\u0131.<\/p>\r\n

Yeni \u00d6\u011frenci \/ Le Nouveau \/ The New Kid \/ Rudi Rosenberg<\/em><\/strong><\/p>\r\n

Frans\u0131z akt\u00f6r Rudi Rosenberg<\/strong>\u2019in ilk uzun metrajl\u0131 y\u00f6netmenlik denemesi olan ve San Sebastian\u2019da En \u0130yi Yeni Y\u00f6netmen \u00d6d\u00fcl\u00fc\u2019n\u00fc kazanan The New Kid \/ Yeni \u00d6\u011frenci<\/em><\/strong>, bir okulda \u00f6\u011frenciler aras\u0131nda kurulmu\u015f olan hiyerar\u015finin ve ayakta kalmaya \u00e7abalayan bir grup ezilen \u00f6\u011frencinin hik\u00e2yesini e\u011flenceli bir dille aktar\u0131yor. \u201cErgenlik, komedi i\u00e7in \u00e7ok verimli bir alan\u201d diyen y\u00f6netmen Rosenberg, kendi okul g\u00fcnlerinden esinlenmi\u015f.<\/p>\r\n

\u00a0<\/strong><\/p>\r\n

\u00a0<\/strong><\/p>\r\n

G\u00fcne\u015f \u015eemsiyesi \/ Parasol \/ Val\u00e9ry Rosier \/ Bel\u00e7ika <\/em><\/strong><\/p>\r\n

Parasol \/ G\u00fcne\u015fin \u015eemsiyesi<\/em><\/strong>, 2005\u2019ten bu yana yapt\u0131\u011f\u0131 k\u0131sa filmler ve belgesellerle d\u00fcnyan\u0131n d\u00f6rt bir yan\u0131ndaki festivallerden \u00f6d\u00fcller toplayan ve gen\u00e7 nesil Bel\u00e7ikal\u0131 sinemac\u0131lar aras\u0131nda \u00f6ne \u00e7\u0131kan Val\u00e9ry Rosier<\/strong>\u2019nin uzun metrajl\u0131 ilk kurmacas\u0131. Rosier<\/strong>, yaln\u0131zl\u0131klar\u0131n ve asla vuku bulmayacak olan yeni ba\u015flang\u0131\u00e7lar\u0131n hik\u00e2yesini anlat\u0131yor ilk kurmaca filminde, hayatlar\u0131nda bir \u015feyleri de\u011fi\u015ftirmeye, yaln\u0131zl\u0131\u011fa kar\u015f\u0131 \u00e7\u0131kmaya kararl\u0131 \u00fc\u00e7 avareyi takip ediyor. Y\u00f6netmen Rosier<\/strong>, San Sebastian, Namur ve Busan film festivallerinde g\u00f6sterilen ve amat\u00f6r oyuncular\u0131n rol ald\u0131\u011f\u0131 bu ilk filminde \u201chayatlar\u0131m\u0131zdaki bo\u015fluk ve sa\u00e7mal\u0131k duygusuyla kar\u015f\u0131la\u015f\u0131nca yaln\u0131zl\u0131kla nas\u0131l ba\u015fa \u00e7\u0131kt\u0131\u011f\u0131m\u0131z\u0131 g\u00f6stermeyi\u201d hedefliyor. \u00c7\u0131k\u0131\u015f noktas\u0131 ise filozof Emil Cioran\u2019\u0131n \u015fu s\u00f6z\u00fc: \u00c7o\u011fu insan\u0131n akl\u0131n\u0131 en \u00e7ok me\u015fgul eden \u015fey, hayatlar\u0131ndaki renksizlikten ka\u00e7ma \u00e7abas\u0131.\u201d<\/p>\r\n

\u015e\u00f6valye \/ Chevalier \/ Athina Rachel Tsangari <\/em><\/strong><\/p>\r\n\r\n