<\/a><\/p>\r\nT\u0131pk\u0131 y\u00f6netmen Selim G\u00fcne\u015f gibi Artvin\/Bork\u00e7a do\u011fumlu k\u00fc\u00e7\u00fck oyuncu Hakan Korkmaz, ailesini ge\u00e7indirmeye \u00e7al\u0131\u015fan Hasan performans\u0131yla, ilk oyunculuk deneyiminde hi\u00e7 zorlanmam\u0131\u015f g\u00f6r\u00fcn\u00fcyor. Yok denecek kadar az olan diyalo\u011fun yeriniyse, g\u00f6rsellik ve m\u00fczik kapl\u0131yor. \u00d6yk\u00fcde ortaya \u00e7\u0131kmayan baban\u0131n varl\u0131\u011f\u0131, bak\u0131\u015f a\u00e7\u0131s\u0131na g\u00f6re belki de izleyenlere rahats\u0131zl\u0131k da verebilecek, pi\u015fmanl\u0131klar\u0131yla bo\u011fu\u015fan siyasi su\u00e7tan cezaevine giren babaya d\u00f6n\u00fc\u015fm\u00fc\u015f. Asl\u0131nda k\u00f6y halk\u0131 taraf\u0131ndan d\u0131\u015flanan anne fig\u00fcr\u00fc ise, uzak bir kasabada bak\u0131c\u0131l\u0131k yapan \u00e7aresiz bir anneye. A\u011f\u0131r ilerleyen temposu, m\u00fczi\u011fin bask\u0131nl\u0131\u011f\u0131 ve daha ilk sahnelerde do\u011fadan gelebilecek tehlikelerin tiyatro oyunu edas\u0131yla sunulmas\u0131, filme girmenizi biraz zorla\u015ft\u0131rabilir. Hatta ilk sahnedeki d\u00fc\u011f\u00fcn\u00fcn hemen sonras\u0131nda baban\u0131n tutuklanmas\u0131yla ba\u015flayan gizem ak\u0131llarda soru i\u015fareti de b\u0131rakabilir. Ama bana g\u00f6re bu gizem, filmin b\u00fct\u00fcn\u00fcne yerle\u015fen belirsizli\u011fi g\u00fczel sakl\u0131yor ve bitiminde hi\u00e7 de rahats\u0131z etmiyor. Yoksullu\u011fun edebi tan\u0131m\u0131n\u0131 zaten Sabahattin Ali yazm\u0131\u015ft\u0131 eseriyle, Selim G\u00fcne\u015f ise adeta resmini \u00e7iziyor. Her bir karakterin hissedilen \u00e7aresizlik ve yaln\u0131zl\u0131\u011f\u0131, tam da kursa\u011f\u0131n\u0131zda kalacak finali ise can yak\u0131yor. B\u00f6ylesi bir \u00f6yk\u00fcy\u00fc senaryola\u015ft\u0131rmak ve beyazperdeye ta\u015f\u0131mak y\u00fcrek ister. Yokluk, yoksulluk ve ge\u00e7mek bilmeyen zaman\u0131n dura\u011fanl\u0131\u011f\u0131nda ya\u015fam m\u00fccadelesi veren k\u00f6y halk\u0131n\u0131n sadece bir g\u00fcn\u00fc bizim i\u00e7imizi daraltmaya yetecekken, t\u00fcm g\u00fcnlerin asl\u0131nda ayn\u0131 seyirde devam edece\u011fini bilmek, durumu daha da zorla\u015ft\u0131r\u0131yor. Aksakl\u0131klar\u0131 olsa da, g\u00f6rselli\u011fe fazla meyletse de, ba\u015far\u0131l\u0131 bir ilk film oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum\u2026 Ve son olarak b\u0131rak\u0131n kendinizi sessizli\u011fe, hipnotize eden g\u00f6r\u00fcnt\u00fclere diyorum.<\/p>\r\n
\u0130yi seyirler,<\/p>\r\n
Hilal \u00c7etinder<\/p>\r\n
Kat\u0131ld\u0131\u011f\u0131 Festivaller ve ald\u0131\u011f\u0131 \u00f6d\u00fcller;<\/strong><\/p>\r\nM\u00fcnih T\u00fcrk Filmleri G\u00fcnleri, \u0130stanbul Film Festivali, Berlin T\u00fcrk Filmleri Haftas\u0131, Ankara Uluslararas\u0131 Film Festivali (Mahmut Tali \u00d6ng\u00f6ren \u00d6zel \u00d6d\u00fcl\u00fc-En \u0130yi 2. Film, Umut Veren Yeni Senaryo Yazar\u0131 \u00d6d\u00fcl\u00fc \u2013 Selim G\u00fcne\u015f, En \u0130yi Yard\u0131mc\u0131 Kad\u0131n Oyuncu \u00d6d\u00fcl\u00fc \u2013 Sinem \u0130slamo\u011flu), Sofya Uluslararas\u0131 Film Festivali (J\u00fcri \u00d6zel \u00d6d\u00fcl\u00fc – En \u0130yi 2. Film), Chicago Film Festivali, Antalya Alt\u0131n Portakal Film Festivali (En \u0130yi M\u00fczik – Mircan)<\/p>","protected":false},"excerpt":{"rendered":"
Sabahattin Ali\u2019nin \u00fcnl\u00fc ve beni en \u00e7ok etkileyen \u2018Ayran\u2019 adl\u0131 \u00f6yk\u00fcs\u00fcnden senaryola\u015ft\u0131r\u0131lan \u2018Kar Beyaz\u2019, yolu foto\u011fraf\u00e7\u0131l\u0131ktan ge\u00e7en Selim G\u00fcne\u015f\u2019in ilk uzun metraj filmi. \u0130lk olarak Antalya Alt\u0131n Portakal Film Festivali\u2019nde g\u00f6r\u00fcc\u00fcye \u00e7\u0131kan film, festival festival dola\u015ft\u0131 ve \u00f6d\u00fcllerle d\u00f6nd\u00fc. \u00dcstelik vizyona girdi\u011fi \u015fu g\u00fcnlerde, festival yoluna da devam ediyor. Orijinal ana hik\u00e2yesi bozulmadan ama farkl\u0131l\u0131kla\u015ft\u0131r\u0131larak […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37],"tags":[194,264],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.filmmakarasi.com\/wp-json\/wp\/v2\/posts\/9348"}],"collection":[{"href":"https:\/\/www.filmmakarasi.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.filmmakarasi.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.filmmakarasi.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.filmmakarasi.com\/wp-json\/wp\/v2\/comments?post=9348"}],"version-history":[{"count":24,"href":"https:\/\/www.filmmakarasi.com\/wp-json\/wp\/v2\/posts\/9348\/revisions"}],"predecessor-version":[{"id":9406,"href":"https:\/\/www.filmmakarasi.com\/wp-json\/wp\/v2\/posts\/9348\/revisions\/9406"}],"wp:attachment":[{"href":"https:\/\/www.filmmakarasi.com\/wp-json\/wp\/v2\/media?parent=9348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.filmmakarasi.com\/wp-json\/wp\/v2\/categories?post=9348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.filmmakarasi.com\/wp-json\/wp\/v2\/tags?post=9348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}